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Antique English Coaching Prints, A Trip to Brighton, Set of Four Engravings

Antique English Coaching Prints, A Trip to Brighton, Set of Four Engravings

Regular price $375.00 CAD
Regular price Sale price $375.00 CAD
Sale Sold out
Duties included.
Subject
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Four hand-colored engravings published in London in 1824 by Thomas McLean, drawn by Sir John Dean Paul and engraved by Charles Laurie, depicting the full comic drama of a Regency journey from London to Brighton. The Brighton road was the most fashionable and most hazardous coaching route in England, and these four panoramic plates capture it in full: an overcrowded inn yard departure, a curricle outpacing everything on the open road, a carriage overturned with passengers scattered, and the chaotic press of post chaises and social types that made the journey as much spectacle as transport. Each plate carries caption text drawn from Shakespeare and contemporary stage comedy, Macbeth, Timon of Athens, Love, Law and Physic, evidence of the literate humor McLean's publishing house brought to the sporting print market. The set retains its matching period ebonized frames with cream slip liners and bears a Victorian framer's label verso for Frank Davis, Fine Art Frame Manufacturer and Dealer in Works of Art, Birmingham.

Details
Artist
Sir John Dean Paul (1802-1868), draughtsman; Charles Laurie, engraver
Publisher
Thomas McLean, 26 Haymarket, London
Date
1824, first published
Medium
Hand-colored engraving on laid paper
Subject
Coaching scenes, Brighton road, Regency England
Plates
Complete set of four, Plates 1 through 4
Caption texts
Plate 1: "Remember its optional / Love, Law and Physic / Oh these extractions they are most pestilent to the hearing, Shakespeare"
Sight size
24.25 in W x 8.75 in H (each)
Framed size
25.75 in W x 10 in H (each)
Frame
Period ebonized wood with cream slip liner, matching across all four
Verso
Frank Davis, Fine Art Frame Manufacturer and Dealer in Works of Art, Birmingham (Victorian framer's label)
Origin
United Kingdom
Condition

The prints show honest age-appropriate toning across the paper, warming to amber at the margins, consistent with 200-year-old laid paper that has not been stored in archival conditions. Foxing spots are present across all four plates, distributed unevenly, some plates showing more than others. The hand-coloring retains good saturation in the stronger tones, particularly the reds and greens of the carriage bodies and livery. A horizontal fold crease is visible across several of the prints, consistent with the panoramic sheets having been stored folded before framing, which was standard practice for this format. Glass is intact on all four. No tears or significant losses to the image areas visible. The prints remain well within the acceptable condition range for works of this age and format.

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Important Info About Antique & Vintage

Every antique and vintage item we carry has lived a life before arriving in your home. These are not factory-made products. They are objects with history, character, and the marks of time.

Age-appropriate wear, patina, minor imperfections, and signs of previous use or repair are inherent to antique and vintage items and are not considered defects. These characteristics are part of what makes each piece unique and are often what give it its beauty and value.

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