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Antique Signed Sheep Oil Painting, Shepherd and Flock

Antique Signed Sheep Oil Painting, Shepherd and Flock

Regular price $3,500.00 CAD
Regular price Sale price $3,500.00 CAD
Sale Sold out
Duties included.
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A shepherd drives his flock down a wet track past a thatched cottage, a black and white dog holding the rear while a single pale lamb steps into the light at the front of the line. Bare autumn trees fade into a soft, misty grey, and the whole scene sits in the low silver light of a damp morning. The handling is loose and confident, the flock built up in thick, quick strokes of cream and brown against the churned mud of the lane. It is a Continental pastoral in the Hague School manner, signed lower left, Henry Schouten.

Artist
Signed Henry Schouten, lower left. Henry Schouten was a Belgian painter active in the late 19th and early 20th centuries, known for sheep, cattle, and farm subjects. The signature on this canvas is clear and reads in full. I am selling it as signed rather than making a firm authorship claim, since a signature records what is on the work rather than proving the hand.
Signature
Signed Henry Schouten in dark script, lower left, over the reddish brown ground of the lane
Medium
Oil on canvas
Subject
A shepherd driving a flock of sheep past a thatched cottage, with a herding dog and a single foreground lamb
Origin
Continental European, likely Belgian
Age
Antique, late 19th or early 20th century
Canvas Size
29 in. W x 25.25 in. H
Frame Size
34 in. W x 26 in. H
Format
Horizontal
Frame
Substantial gilt gesso frame with cast foliate and anthemion ornament. Losses to the gesso at the corners and along the top edge, with the substrate exposed in places.
School or Movement
Hague School. A group of Dutch painters working around The Hague from roughly 1860 to 1900, who painted the landscape, coast, and rural life of the Low Countries in a subdued, atmospheric palette of greys and browns. They favoured working people, working animals, and grey weather over bright or picturesque subjects. Sheep and shepherd scenes like this one were a staple of the school and of the many Dutch and Belgian painters who worked in its manner.
Support
Unlined canvas on a keyed wooden stretcher

The painting is on an unlined canvas over a keyed wooden stretcher, with the keys present. The paint surface is stable, with fine craquelure in the darker passages consistent with age. There is an old repaired tear in the canvas, visible from the reverse as a patch, with associated retouching to the front in that area. The signature is clear and legible in the lower left. There is a warm surface tone that may be varnish discoloration. I have not cleaned the work and cannot confirm from examination whether it has been previously cleaned or otherwise restored beyond the tear repair noted, so I am not making a claim either way. There are faint inscriptions or a stencil on the reverse of the canvas that I am not able to read with confidence.

The frame is a substantial gilt gesso design with cast foliate and anthemion ornament. It carries losses to the gesso at several corners and along the top edge, with the underlying substrate exposed in places, as shown in the photographs. The frame reads as older and may be original to the work, but I cannot confirm that, so it is offered as a period appropriate frame rather than a documented original.

Please review all photographs closely, as they form part of this description.

#154

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