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Antique Signed European Country House Oil Painting, Circa 1900

Antique Signed European Country House Oil Painting, Circa 1900

Regular price $1,550.00 CAD
Regular price Sale price $1,550.00 CAD
Sale Sold out
Duties included.
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A pale neoclassical country house sits across a still lake, approached through a designed park with a domed garden temple set among mature trees at the left. The painting is a topographical view of a real estate, the kind of picture commissioned to record a house and its grounds. It carries a signature in the lower left reading "Sellensslach," a name I could not match to any listed painter in the auction or signature databases, so it is offered as the work of an unidentified hand. The heavy craquelure across the sky and water is the honest surface of a canvas of real age, and the ornate gilt frame appears to have been with it a long while.

Artist
Bearing a signature reading "Sellensslach," artist unidentified
Signature
Lower left, legible as a surname, no database match to a listed painter
Medium
Oil on canvas
Subject
Neoclassical country house across a lake, with a domed garden temple and parkland
Origin
Continental European
Age
Antique, late 19th to early 20th century, on craquelure, keyed stretcher, and hand-tacked unlined canvas
Canvas Size
23.75 in. W x 19.75 in. H
Frame Size
29.5 in. W x 25.5 in. H
Format
Horizontal
Frame
Ornate gilt gesso with foliate crest and bead courses, composition losses at the corners
Support
Unlined linen on a keyed wooden stretcher

The painting is structurally sound. There is extensive fine craquelure throughout, most visible across the sky and the surface of the water, consistent with the age of the work. The cracking is stable, with no active flaking or lifting observed. There is surface grime overall and the varnish has discolored somewhat with age, which mutes the palette. Scattered minor paint loss is present, chiefly along the edges and in the darker passages of the foreground. The canvas is unlined and sits slightly slack on its stretcher. The stretcher is keyed and the tacking edges appear intact.

The frame is gilt gesso over wood, with a foliate crest and beaded courses. It carries composition losses at the corners and general wear to the gilding consistent with age. It is period appropriate to the painting.

 

#155

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