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Antique European Oil Painting Cottage Landscape, Normandy Style

Antique European Oil Painting Cottage Landscape, Normandy Style

Regular price $1,250.00 CAD
Regular price Sale price $1,250.00 CAD
Sale Sold out
Duties included.
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A steep-roofed farmhouse of brick and close-set timber rises half in shadow under a single lit sky, the pale infill between its studs catching what light there is. This is Norman colombage, the vernacular of the Pays d'Auge countryside, and it belongs to the current of later 19th-century painting that turned the plain rural farmhouse into a subject worth painting. A working cottage, not a grand house, the kind a French painter of the period would carry home from the country. Tonal and unhurried, built in muted greens and browns with the sky doing the lifting. Oil on board, in its original giltwood frame. Unsigned, as domestic-trade landscape work of this period usually is.

Details
Artist
Unidentified
Signature
None found
Medium
Oil on board
Subject
Norman colombage farmhouse in a wooded landscape
Origin
Continental European, likely French
Age
Antique, circa 1890
Panel Size
15 in. W x 18 in. H
Frame Size
19 in. W x 23 in. H
Format
Vertical rectangle
Frame
Original giltwood, cavetto profile with beaded inner edge, significant losses throughout
Support
Rigid board
Subject Note
The building is a Norman half-timbered farmhouse, known in French as colombage, with brick and pale cob infill set between close vertical timbers under a steep roof. This construction is characteristic of the Pays d'Auge and eastern Normandy, the apple-orchard and dairy country where these modest farmhouses were the everyday rural architecture. The house type long predates the painting, so it dates the subject rather than the work.
Condition

The painting surface is stable on its board. Craquelure runs through the sky, consistent with age. There are two areas of paint disturbance in the sky at upper right that read as loss or abrasion in the photographs. Scattered surface grime overall, and some darkening in the lower foreground shadows, which are painted very dark to begin with.

The frame is in poor condition and should be understood as decorative rather than intact. There is heavy gesso and plaster loss along the top rail and at both lower corners, open splits at the corners, and exposed red bole and bare wood in multiple places along all four sides. The beaded inner edge survives largely complete. The frame is original to the work and holds together, but it carries its damage openly.

Please review all photographs closely, as they form part of this description.

#209

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