{"title":"English Manor Live Sale","description":"","products":[{"product_id":"niello-pocket-watch-parquetry-display","title":"Antique French Parquetry Pocket Watch Holder","description":"\u003cdiv data-test-render-count=\"2\"\u003e\n\u003cdiv class=\"mb-1 mt-6 group\"\u003e\n\u003cdiv class=\"flex flex-col items-end gap-1\"\u003e\n\u003cdiv class=\"flex justify-start opacity-0 group-hover:opacity-100 group-focus-within:opacity-100 transition\" role=\"group\" aria-label=\"Message actions\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-test-render-count=\"1\"\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv data-is-streaming=\"false\" class=\"group relative relative pb-3\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 standard-markdown\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e French parquetry display case with an angled glazed panel, purpose-built to show a decorated watch upright on a dressing table or desk. Finding the pair surviving together, case clearly made to receive exactly this style of watch, is genuinely uncommon. Sold as a display piece, requiring service if running use is desired.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap leading-[1.7]\"\u003e [condition] The watch shows age wear consistent with roughly 120 years. The niello decoration on the reverse is well retained, with softening in the high wear areas around the jockeys and horses, normal for the period and material. The silver case shows expected patina and surface wear. The white enamel dial has a small loss or discoloration between the 20 and 21 positions near the subsidiary seconds register. The original glass crystal is intact. The crown and bow are complete and the keyless winding mechanism operates. Running condition is not confirmed and the watch should be considered as requiring service by a qualified watchmaker if timekeeping use is desired.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe parquetry presentation case shows surface wear consistent with age. The interior rim shows wear but no chips or losses. No veneer lifts or losses observed on the exterior parquetry. The beveled glass viewing panel is intact. The lock functions and the original key is present. The ebonized interior cradle is complete.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51245851279638,"sku":"AMD-02920","price":242.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/3729F048-272D-4027-8661-562E7C0AC7E7_4_5005_c.jpg?v=1777045645"},{"product_id":"19th-century-continental-still-life","title":"Antique Continental Still Life, Peaches and Grapes in a Basket, Oil on Canvas","description":"\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA 19th-century Continental European still life of peaches and grapes spilling from a low wicker basket on a stone ledge, with vine leaves and a curling tendril rising behind the fruit. The composition follows a formula that traces back to the 17th-century Dutch and Flemish fruit-piece tradition (painters like Cornelis de Heem, Jan van den Hecke, Abraham van Calraet) and was painted and repainted by Continental artists through the 18th and 19th centuries as the canonical decorative fruit piece. I bought this one in England. It is unsigned, on a lined canvas in its period giltwood frame, and reads as a mid-to-late 19th century picture working in the revivalist tradition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Artist | Continental European School, 19th century\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Medium | Oil on canvas, lined\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Subject | Still life of peaches and grapes in a wicker basket with vine leaves\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Origin | Continental Europe, surfaced in England\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Age | Mid-to-late 19th century\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Size | 18.25 in W x 15.5 in H canvas, 25.5 in W x 22.5 in H framed\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Style | Continental still life in the manner of the 17th-century Dutch and Flemish fruit-piece tradition\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Frame | Period giltwood with pressed gesso floral-and-strap ornament, beaded sight edge\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Signature | Unsigned\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[condition]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe painting is in honest 19th-century working condition. The canvas has been lined, which is normal conservation for a picture of this age and adds support to the original. There is a fine, even craquelure web across the entire paint film, consistent with the age of the work. Several small areas of paint loss are visible in the dark ground of the background, most noticeably in the upper left quadrant and scattered across the upper background. The varnish is original or early, with some yellowing that warms the overall tonality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe frame retains its original gilding with the rubbed high points showing red bole beneath. There is loss to the pressed gesso ornament at the upper left corner, and minor chips and small cracks to the gesso ornament at other corners. None of the frame damage is structurally significant. The frame is sound and hangs as it should.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51310557954326,"sku":"AMD-02994","price":1450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/England_Crates-2282.jpg?v=1779469650"},{"product_id":"19th-century-british-river-landscape-cattle","title":"19th Century British River Landscape with Cattle and Drover, Oil on Canvas","description":"\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA British Romantic landscape from the late 19th century, oil on canvas, with a drover on a white horse moving three cattle along a rocky stream beneath a soft mist-covered peak. Conifers crowd the left bank and the broken water in the foreground is built up in confident white impasto. The composition belongs to the Highland and upland landscape tradition that ran through Victorian British landscape painting in the second half of the 19th century, where the drover on horseback served as the narrative anchor in a wider atmospheric scene. Unsigned, sourced in England, and presented in its original gilt gesso frame.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Artist | British School, late 19th century\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Medium | Oil on canvas, original lining\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Subject | Highland drover on horseback with cattle, rocky stream and misted peak beyond\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Age | Circa 1880 to 1900\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Style | Romantic landscape, British Highland tradition\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Canvas Size | 30.25 in W x 18 in H\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Framed Size | 36.5 in W x 24.25 in H\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Frame | Gilt gesso with carved acanthus and scrollwork ornament, period to the painting\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Signature | Unsigned\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[condition]\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe painting is in honest antique condition with age-appropriate wear that should be disclosed clearly. The canvas retains its original lining, which is sound and structurally stable. There is a small hole in the canvas in the upper right of the sky, visible on close inspection. There are scattered small paint loss spots through the composition, most notably along the left margin and in the lower foreground. The canvas does not sit perfectly inside the frame, and there is a visible gap along the bottom edge where the canvas does not fully meet the frame rabbet. The surface shows light craquelure and gentle yellowing of varnish typical of a painting of this age, and a professional cleaning would brighten the palette though it is not required for display. The frame is structurally sound with gilt losses to the high points of the carving consistent with age, exposing the gesso ground beneath. No major structural issues with either the canvas or the frame.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51311104098582,"sku":"AMD-03007","price":2400.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/0A9B96E7-8695-4C22-B808-4033FD33F968_1_201_a.jpg?v=1779566581"},{"product_id":"pair-of-antique-english-gilt-brass-rococo-photo-frames-ca-1900","title":"Antique English Gilt Brass Rococo Picture Frame, Ca. 1900","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA late Victorian to Edwardian English photo frames cast in gilt brass in the Louis XV revival manner. Each frame is built around a substantial solid brass backplate, with pierced rococo scrollwork forming the border, foliate C-scrolls running down the sides, and a pierced floral crest at the top. A hinged brass strut on the reverse lets each frame stand on a tabletop. The casting is heavy and well detailed, and the gilt finish has darkened to a warm honest patina across both pieces. Pairs of period brass frames at this scale are noticeably less common than singles.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Type | photograph frames\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Material | Cast gilt brass\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Age | Circa 1890 to 1910, late Victorian to Edwardian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Style | Louis XV revival, Rococo revival\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Size | 7 in H x 5 in W (6.5 in H standing)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Photo Aperture | 4 in W x 5.5 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Construction | Cast brass front with pierced rococo border, solid brass backplate, hinged brass easel strut\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Backing | Original backing present\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Glass | No glass present\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Quantity | Sold as an individual (1) frame\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eBoth frames are in good honest antique condition with patina consistent with age. The gilt brass surfaces have darkened evenly across both pieces, with the warm aged tone collectors look for in period brass. The pierced rococo borders and floral crests are intact on both frames, with no losses to the scrollwork. There is minor bending visible along some of the pierced edges, but the frames are structurally sound and both stand correctly on their easel struts. The solid brass backplates show light scratches and surface marks consistent with long use. Both hinged easel struts are present and functional. The original backings are in place. Neither frame has glass; the buyer will need to have glass cut to fit the 4 inch by 5.5 inch aperture, which is a standard photo size easily handled at any frame shop.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51316892369174,"sku":"AMD-03055","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_2026-8757.jpg?v=1780505001"},{"product_id":"victorian-cast-iron-saint-bernard-doorstop-barrel-1890","title":"Antique Victorian Cast Iron Saint Bernard Doorstop with Rescue Barrel, Ca. 1890","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA late Victorian English cast iron doorstop in the form of a standing Saint Bernard rescue dog, the small barrel cast at the throat in the manner that made this breed famous across 19th-century Europe. Sand-cast in two parts on a shaped oval plinth with a cast rosette border, retaining its old applied black paint surface, now oxidized to reveal warm rust beneath in areas of natural wear. English doorstops of this scale, plinth treatment, and modeling sit firmly in the tradition of the Black Country foundries of West Bromwich and Birmingham, where Archibald Kenrick \u0026amp; Sons led production of figural cast iron for the Victorian household.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Type | Figural Doorstop\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Material | Cast iron with original paint\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Subject | Saint Bernard rescue dog with barrel\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Age | Circa 1880 to 1900, late Victorian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Style | Late Victorian figural cast iron\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Size | 9.5 in W x 7.25 in H x 2 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Plinth | Shaped oval base with cast rosette border\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Marks | Unmarked, in the tradition of Archibald Kenrick \u0026amp; Sons, West Bromwich\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe doorstop is in good honest antique condition with surface wear and oxidation consistent with roughly 130 years of use. The casting is complete and intact, with no cracks, breaks, or repairs. The Saint Bernard's rescue barrel is intact and original to the casting. The piece sits level and flat. The original applied black paint surface is stable and shows the warm rust patina underneath where the paint has worn or oxidized away, most visible on the underside, along the edges of the plinth, and across the flanks of the dog. The casting seam along the topline and the small circular gate plug visible on the body are original to the period manufacturing process and are not flaws. No active flaking. Suitable for use or purely decorative display.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51318815523094,"sku":"AMD-03062","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/EnglandCrates-2121.jpg?v=1779313926"},{"product_id":"antique-english-portrait-samuel-bradbury-market-drayton-oil-on-canvas-1850","title":"Antique English Portrait Oil Painting of Samuel Bradbury of Market Drayton","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA mid-19th century English portrait of Samuel Bradbury, 1789 to 1854, painted in oil on canvas during the sitter's later years. The Bradburys came from Market Drayton in Shropshire, and the verso carries a hand-drawn family chart that traces seven generations of descent from Samuel's grandfather William, born 1722 in Market Drayton, down to descendants born in the 1980s and 1990s. Samuel holds a single yellow pansy in his right hand, a Victorian symbol of thought and remembrance, and a small classical figure in red drapery stands at lower right. The picture has descended through the Bradbury family. Unsigned, in a period gilt molding frame.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Sitter | Samuel Bradbury, 1789 to 1854\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Artist | English School, mid-19th century, unsigned\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Medium | Oil on canvas, lined\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Subject | Half-length portrait of a gentleman holding a yellow pansy, with a classical figure at lower right\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Origin | England, Bradbury family of Market Drayton, Shropshire\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Age | Circa 1845 to 1854\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Size | 19.5\" W x 23.5\" H x 1\" D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Style | English provincial portraiture, late Regency into early Victorian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Frame | Period gilt molding with gesso ground, honest wear to gilding\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Signature | Unsigned\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Provenance | Descended through the Bradbury family of Market Drayton, Shropshire. Hand-drawn family chart affixed to verso documents seven generations of descent from William Bradbury of Market Drayton, 1722 to 1779, through to descendants born in the 1980s and 1990s. The sitter is identified on the chart as Samuel Bradbury, 1789 to 13 September 1854, son of George Bradbury, 1771 to 1852, and husband of Mary Ann Garmeston. An additional inscribed paper label on verso reads Samuel Bradbury 1789-1854.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Iconography | Yellow pansy held in the right hand, from the French pensée, meaning thought or remembrance. Small classical figure in red drapery at lower right.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe painting is in fair to good antique condition with significant age-related wear. The original canvas was lined at some point in the 20th century, and the lining adhesive has begun to fail across the lower third, creating a visible horizontal band of bubbling and slackness through the lap area and around the classical figure at lower right. A vertical crease distortion runs down the right side. The lining remains intact and a conservator could re-adhere or re-line the canvas if a future owner wishes.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe paint surface shows abrasion throughout the dark passages, with canvas weave visible where the paint film has thinned, and craquelure consistent with mid-19th century oil on canvas. A small area of disturbance in the background to the left of the shoulder appears to be old retouching or minor paint loss. The varnish is darkened and would benefit from a professional cleaning. The flesh tones in the face and hands remain well preserved with modeling intact. The yellow pansy and the classical figure at lower right are both legible.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe period gilt molding frame shows honest rubbing across all four sides with exposed gesso and red bole at the corners and inner edge, structurally sound. The verso retains the inscribed paper label and the hand-drawn family genealogical chart. Offered as found, with condition issues disclosed honestly and reflected in the price.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51324734406934,"sku":"AMD-03075","price":850.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/England_Crates-1901.jpg?v=1779128923"},{"product_id":"embroidered-silk-kings-own-regimental-colours","title":"Antique English Embroidered Silk King's Own Regimental Colours","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA hand-embroidered silk regimental colours picture of The King's Own (4th Regiment of Foot), worked in silk floss and silver and gilt bullion thread on a dark silk ground. The composition shows the regiment's two crossed colours, the King's Colour with the Roman numeral IV beside the crown and the Regimental Colour densely worked with battle honours and the central royal cypher, beneath the Lion of England passant guardant. The lower caption reads \"The King's Own \/ Regimental Colours and Badge.\" Acquired in England on a recent buying trip.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Type | Embroidered silk regimental colours picture\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Subject | The King's Own (4th Regiment of Foot, later The King's Own Royal Lancaster Regiment)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Medium | Silk floss, silver and gilt bullion thread, chenille fringe on silk ground\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Age | Circa 1900, late Victorian to Edwardian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Sight Size | 20.75 in W x 19.75 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Framed Size | 26 in W x 24 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Frame | Original oak frame with gilt-painted slip\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[d]Glazing | Original glass\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe piece is in good antique condition with honest age-appropriate wear. The silk ground is sound and shows no shattering, with expected age-related darkening but no losses. All major embroidered elements are intact, including the Lion of England, both crown finials, the Roman numeral IV, the central royal cypher on the regimental colour, and the embroidered battle honours and caption. The silver and gilt bullion work is substantially complete, with minor lifting of metallic thread at the flag edges consistent with age. The bullion tassels at the King's Colour staff are intact, and the tassels at the regimental colour staff are partially intact. The bullion fringe along both flags is present and substantially intact across both flags. The oak frame is structurally sound and retains its original gilt-painted slip with wear and minor loss to the gilding consistent with age. The glass shows period-appropriate imperfections. The pine board backing shows splitting between boards and minor loss at the top edge, with the original hemp hanger and partial newsprint dust seal still in place. Minor surface dust under glass.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51335873036566,"sku":"AMD-03078","price":1485.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/EnglandCrates-2387.jpg?v=1779585442"},{"product_id":"cowper-poems-3-volumes-sharpe-1825-calf","title":"William Cowper Poems 3 Volumes John Sharpe 1825 Antique Calf Set","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThree volumes of William Cowper's collected poems in the Sharpe Cabinet Edition of 1825, printed by C. and C. Whittingham at Chiswick. The set comprises \u003cem\u003eThe Task\u003c\/em\u003e, \u003cem\u003eTable Talk and Other Poems\u003c\/em\u003e, and \u003cem\u003eMinor Poems\u003c\/em\u003e in their original full tan calf, each volume blind-stamped on the boards with a rococo cartouche and fitted with a richly gilt spine in a repeating foliate pattern. Each volume carries an engraved frontispiece drawn by Richard Westall R.A. and engraved by Charles Rolls. The marbled edges in pink and blue show across all three volumes when stacked, which is most of why you'd want this set on a shelf. Period inscriptions dated March 19, 1836 appear in each volume, placing the set in a reader's hands within eleven years of printing.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap\"\u003e[d]Author | William Cowper [d]Title | The Task \/ Table Talk and Other Poems \/ Minor Poems [d]Publisher | Printed for John Sharpe, Duke Street, Piccadilly; by C. and C. Whittingham, Chiswick [d]Date | 1825 [d]Edition | Sharpe's Cabinet Edition [d]Volumes | 3 volumes (complete set) [d]Binding | Full tan calf, blind-stamped rococo panel boards, richly gilt spines, green morocco spine labels [d]Illustrations | 3 engraved frontispieces, drawn by Richard Westall R.A., engraved by Charles Rolls [d]Edges | Marbled in pink, blue, and tan; gilt top edge with decorative roll border [d]Endpapers | Marbled [d]Inscription | Period ink inscriptions dated March 19, 1836, in each volume; later ownership inscription \"E. Roberts, May 1944\" in blue ink [d]Dimensions | 6.5 in H x 4 in W x 1 in D per volume [d]Language | English [d]Origin | United Kingdom\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition] The bindings are generally sound across all three volumes. Boards are firm and the covers retain good color throughout. The gilt spine tooling remains clear and well-defined on all three. Vol. 2 (\u003cem\u003eTable Talk\u003c\/em\u003e) has a crack and associated leather loss at the foot of the spine along the lower joint — this is the set's primary condition issue and is visible. The other two volumes show normal age-appropriate wear at spine ends and corners. Marbled edges are intact and bright. The text blocks are clean throughout with expected light foxing to the frontispiece pages in each volume, consistent with the steel-engraved plates. The period 1836 inscriptions are in brown ink; the 1944 \"E. Roberts\" ownership inscription is in blue ink and appears in multiple volumes.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51399307329814,"sku":"AMD-03096","price":385.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_2026_drews_books-7684.jpg?v=1781027671"},{"product_id":"thackeray-vanity-fair-1904-leather-prize-binding","title":"Thackeray Vanity Fair 1904 Smith Elder Antique Leather Prize Binding","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe gilt spine on a full tree calf binding, stamped with the armorial of an English grammar school and awarded at Midsummer 1905, is already a complete story before the book is even opened. Burnley Grammar School, founded in 1559, handed W. Benson of Form III this copy of Thackeray's sharpest social comedy as a prize for third place, less than a year after Smith, Elder printed it. The Chairman of Governors who signed off on that award was Ughtred Kay-Shuttleworth, 1st Baron Shuttleworth, whose family had been tangled up with Burnley Grammar for generations; his father had helped reform the school in the 1870s. The binding itself is the quality you'd commission for a prize: full tree calf with a richly tooled gilt spine on five raised bands, gilt-ruled board borders, marbled endpapers, and marbled page edges. Inside, Thackeray's own illustrations accompany his most celebrated novel, the one where no one is the hero because everyone is too busy pretending to be.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap\"\u003e[d]Author | William Makepeace Thackeray [d]Title | Vanity Fair: A Novel Without a Hero [d]Publisher | Smith, Elder, \u0026amp; Co. [d]Date | 1904 [d]Edition | Biographical Edition, Volume I (of the Works in Thirteen Volumes), with introductions by Anne Ritchie [d]Binding | Full tree calf, elaborately gilt spine on five raised bands, gilt-ruled board borders, marbled endpapers and page edges [d]Illustrator | William Makepeace Thackeray (author-illustrated; photographic portrait frontispiece plus 17 author-drawn plates) [d]Provenance | Burnley Grammar School prize binding, Midsummer 1905, awarded to W. Benson, Form III, 3rd Place; Chairman of Governors: Lord Shuttleworth (Ughtred Kay-Shuttleworth, 1st Baron Shuttleworth); Head Master: H.L. Joseland, M.A. [d]Dimensions | 7.75 in H x 5.75 in W x 1.75 in D [d]Language | English [d]Origin | United Kingdom\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-pre-wrap\"\u003e[condition] The binding is solid and the boards are firmly attached. The tree calf covering shows age-appropriate patina across the boards with characteristic flaming and mottling intact; there is light surface wear to the board edges and corners, with minor rubbing at the extremities. The gilt spine tooling retains strong definition across all compartments, though there is some fading and light loss to the gilding in the middle panels consistent with handling over 120 years. The gilt-ruled board borders are largely intact with minor interruptions. The prize label on the front pastedown is present and fully legible, cleanly adhered. The marbled endpapers and page edges are bright and show the original green, cream, and gold pattern clearly. The text block is tight and secure. The interior pages appear clean and free of significant foxing based on available photographs; any scattered spotting or toning should be noted by the seller upon final inspection. All plates appear present per the list of illustrations.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51399522648342,"sku":"AMD-03098","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_2026_drews_books-7708.jpg?v=1781029573"},{"product_id":"brass-miniature-longcase-clock-desk-novelty-early-20th-century","title":"Antique Brass Miniature Longcase Clock Novelty, English","description":"\u003cdiv class=\"[content-visibility:auto] [contain-intrinsic-size:auto_400px] px-2 -mx-2 pb-8 -mb-8 print:[content-visibility:visible]\"\u003e\n\u003cdiv data-test-render-count=\"2\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv class=\"mb-1 mt-6 group\"\u003e\n\u003cdiv class=\"flex flex-col items-end gap-1\"\u003e\n\u003cdiv aria-label=\"Message actions\" role=\"group\" class=\"flex justify-start opacity-0 group-hover:opacity-100 group-focus-within:opacity-100 pointer-coarse:opacity-100 transition\"\u003e\n\u003cdiv class=\"text-text-300\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-test-render-count=\"1\"\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv class=\"group relative relative pb-3\" data-is-streaming=\"true\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 progressive-markdown\"\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan data-newtext-seq=\"1\" class=\"_animating_6ta1u_10\"\u003eMiniature brass longcase \u003c\/span\u003e\u003cspan data-newtext-seq=\"26\" class=\"_animating_6ta1u_10\"\u003eclock novelty or paperweight, \u003c\/span\u003e\u003cspan data-newtext-seq=\"41\" class=\"_animating_6ta1u_10\"\u003eEnglish, early 20th \u003c\/span\u003e\u003cspan data-newtext-seq=\"61\" class=\"_animating_6ta1u_10\"\u003ecentury. The form is \u003c\/span\u003e\u003cspan data-newtext-seq=\"82\" class=\"_animating_6ta1u_10\"\u003eprecise enough to \u003c\/span\u003e\u003cspan data-newtext-seq=\"100\" class=\"_animating_6ta1u_10\"\u003ebe satisfying: \u003c\/span\u003e\u003cspan data-newtext-seq=\"115\" class=\"_animating_6ta1u_10\"\u003eswan-neck pediment, \u003c\/span\u003e\u003cspan data-newtext-seq=\"135\" class=\"_animating_6ta1u_10\"\u003earched hood, Roman \u003c\/span\u003e\u003cspan data-newtext-seq=\"154\" class=\"_animating_6ta1u_10\"\u003enumeral dial with hands, trunk door \u003c\/span\u003e\u003cspan data-newtext-seq=\"190\" class=\"_animating_6ta1u_10\"\u003ewith diamond lozenge engraving, and a \u003c\/span\u003e\u003cspan data-newtext-seq=\"228\" class=\"_animating_6ta1u_10\"\u003eshaped plinth base with a fleur-de-lis \u003c\/span\u003e\u003cspan data-newtext-seq=\"267\" class=\"_animating_6ta1u_10\"\u003ecartouche. It stands on a folding easel \u003c\/span\u003e\u003cspan data-newtext-seq=\"307\" class=\"_animating_6ta1u_10\"\u003eback and sits comfortably on a desk \u003c\/span\u003e\u003cspan data-newtext-seq=\"343\" class=\"_animating_6ta1u_10\"\u003eor shelf. The seller \u003c\/span\u003e\u003cspan data-newtext-seq=\"364\" class=\"_animating_6ta1u_10\"\u003edated it to circa 1920, \u003c\/span\u003e\u003cspan data-newtext-seq=\"388\" class=\"_animating_6ta1u_10\"\u003econsistent with the Birmingham \u003c\/span\u003e\u003cspan data-newtext-seq=\"419\" class=\"_animating_6ta1u_10\"\u003ebrassware novelty trade that \u003c\/span\u003e\u003cspan data-newtext-seq=\"448\" class=\"_animating_6ta1u_10\"\u003eproduced this type of piece \u003c\/span\u003e\u003cspan data-newtext-seq=\"476\" class=\"_animating_6ta1u_10\"\u003efrom the 1890s onward.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan data-newtext-seq=\"0\" class=\"_animating_6ta1u_10\"\u003e[d]Type | Miniature \u003c\/span\u003e\u003cspan data-newtext-seq=\"20\" class=\"_animating_6ta1u_10\"\u003elongcase clock novelty or paperweight\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan data-newtext-seq=\"0\" class=\"_animating_6ta1u_10\"\u003e[d]Mater\u003c\/span\u003e\u003cspan data-newtext-seq=\"8\" class=\"_animating_6ta1u_10\"\u003eial | Brass, stamped and \u003c\/span\u003e\u003cspan data-newtext-seq=\"33\" class=\"_animating_6ta1u_10\"\u003ecast\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan data-newtext-seq=\"0\" class=\"_animating_6ta1u_10\"\u003e[d]Origin | England\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan data-newtext-seq=\"0\" class=\"_animating_6ta1u_10\"\u003e[d]Age | Early 20th \u003c\/span\u003e\u003cspan data-newtext-seq=\"20\" class=\"_animating_6ta1u_10\"\u003ecentury, circa 1920 per seller; \u003c\/span\u003e\u003cspan data-newtext-seq=\"52\" class=\"_animating_6ta1u_10\"\u003econsistent with Birmingham \u003c\/span\u003e\u003cspan data-newtext-seq=\"79\" class=\"_animating_6ta1u_10\"\u003ebrassware production\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan data-newtext-seq=\"0\" class=\"_animating_6ta1u_10\"\u003e[d]Style | \u003c\/span\u003e\u003cspan data-newtext-seq=\"11\" class=\"_animating_6ta1u_10\"\u003eEnglish novelty brassware\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan data-newtext-seq=\"0\" class=\"_animating_6ta1u_10\"\u003e[d]Size | \u003c\/span\u003e\u003cspan data-newtext-seq=\"10\" class=\"_animating_6ta1u_10\"\u003e5.75 in H x 1.25 in W x .75 in D\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan data-newtext-seq=\"0\" class=\"_animating_6ta1u_10\"\u003e[d]Stand | Folding brass easel \u003c\/span\u003e\u003cspan data-newtext-seq=\"31\" class=\"_animating_6ta1u_10\"\u003eback, intact and functional\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan data-newtext-seq=\"0\" class=\"_animating_6ta1u_10\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan data-newtext-seq=\"0\" class=\"_animating_6ta1u_10\"\u003eGood condition for age. \u003c\/span\u003e\u003cspan data-newtext-seq=\"24\" class=\"_animating_6ta1u_10\"\u003eThe brass carries an honest \u003c\/span\u003e\u003cspan data-newtext-seq=\"52\" class=\"_animating_6ta1u_10\"\u003epatina with overall tarnish and \u003c\/span\u003e\u003cspan data-newtext-seq=\"84\" class=\"_animating_6ta1u_10\"\u003elight surface scratches on \u003c\/span\u003e\u003cspan data-newtext-seq=\"111\" class=\"_animating_6ta1u_10\"\u003ethe trunk, consistent with a \u003c\/span\u003e\u003cspan data-newtext-seq=\"140\" class=\"_animating_6ta1u_10\"\u003ecentury of handling. The folding \u003c\/span\u003e\u003cspan data-newtext-seq=\"173\" class=\"_animating_6ta1u_10\"\u003eeasel stand is intact and \u003c\/span\u003e\u003cspan data-newtext-seq=\"199\" class=\"_animating_6ta1u_10\"\u003efunctional. The hinge pivot is \u003c\/span\u003e\u003cspan data-newtext-seq=\"230\" class=\"_animating_6ta1u_10\"\u003epresent and holds the stand in \u003c\/span\u003e\u003cspan data-newtext-seq=\"261\" class=\"_animating_6ta1u_10\"\u003eposition. No visible bends, losses, or \u003c\/span\u003e\u003cspan data-newtext-seq=\"300\" class=\"_animating_6ta1u_10\"\u003estructural damage. The dial detail and \u003c\/span\u003e\u003cspan data-newtext-seq=\"339\" class=\"_animating_6ta1u_10\"\u003eengraving on the trunk and plinth are \u003c\/span\u003e\u003cspan data-newtext-seq=\"377\" class=\"_animating_6ta1u_10\"\u003ecrisp and well-preserved.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51406506721558,"sku":"AMD-03117","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2613.jpg?v=1781384135"},{"product_id":"antique-english-oil-painting-yorkshire-landscape-ruins-p-carter-1821","title":"Antique English Oil Painting, Yorkshire Landscape with Ruins, Attributed to P. Carter, 19th Century","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAttributed to P. Carter, this small-format oil on canvas depicts a sweeping Yorkshire moorland valley with a gothic ruin — most likely a castle or abbey — rising from the middle distance beneath a warm, hazy sky. The verso stretcher bears a period inscription in a confident hand: “Pickering Yorkshire \/ P. Carter 1821,” identifying both the subject location and the artist by name. Pickering sits at the edge of the North York Moors, and the broad valley composition with atmospheric recession is consistent with the regional landscape tradition of the early 19th century. The original gilt gesso frame is intact and appropriate to the work.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | Attributed to P. Carter (inscribed verso: \"P. Carter 1821 \/ Pickering Yorkshire\")\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on canvas\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Moorland valley landscape with gothic ruins, North York Moors\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | Yorkshire, England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Dated 1821 on verso; 19th century\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | British School, Romantic landscape tradition\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Canvas size | 16.75 in W x 9 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Framed size | 22 in W x 14 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Original gilt gesso with egg-and-dart sight edge and anthemion outer border\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Not visible on front; inscribed verso \"P. Carter 1821 \/ Pickering Yorkshire\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe canvas is unlined and remains flexible. The paint surface shows overall craquelure consistent with an early 19th-century oil. In the sky, the craquelure is more pronounced and irregular than in the lower passages, with areas where the paint film has lifted slightly from the ground — this is stable in appearance but visible up close and worth noting to a buyer. The foreground and darker passages carry a network of fine surface lines that appear to be old varnish cracking sitting on top of the paint layer rather than within it; this reads prominently in raking light and in close photographs but recedes at normal viewing distance. There are small scattered losses in the mid-ground, visible as lighter spots. Some inconsistency in the sky brushwork may indicate old retouching. The varnish has darkened and mellowed with age. A professional clean and consolidation would stabilize the lifted areas in the sky and improve the overall surface considerably. The original gilt gesso frame presents well, with the gilding worn to an even warm tone and the ornamental borders largely intact.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51406539129110,"sku":"AMD-03120","price":685.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2487.jpg?v=1781301759"},{"product_id":"antique-british-marine-oil-painting-rocky-coastal-seascape-circa-1900","title":"Antique British Marine Oil Painting, Rocky Coastal Seascape, Circa 1900","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA small British marine oil on canvas, painted on a Winsor \u0026amp; Newton prepared canvas and presenting a rocky coastal scene with open sea, breaking waves, and a distant headland under an overcast sky. The handling is confident and economical, particularly in the water, where the brushwork reads as the work of a trained painter comfortable with marine subjects. No signature is present. The canvas bears a Winsor \u0026amp; Newton maker's stamp on the verso, consistent with professional artist materials of the late Victorian and Edwardian period.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | British School, late 19th \/ early 20th century\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on canvas\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Coastal seascape with rocky headland and breaking waves\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1880 to 1910\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Canvas | Prepared by Winsor \u0026amp; Newton, London, stamped verso\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artwork Size | 14 in W x 7 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Framed Size | 17 in W x 9.75 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Later plain wood frame, not original to the work\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Unsigned\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe painting is in good antique condition. The canvas is stable with no visible tears, punctures, or active paint loss. The surface shows age-appropriate craquelure consistent with a canvas of this period. No obvious inpainting or restoration is visible under normal examination. The plain wood frame is a later replacement, not original to the painting, and shows minor wear consistent with use. Overall a solid, presentable example requiring no immediate conservation attention.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51406693990678,"sku":"AMD-03122","price":465.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/B969F0E9-2037-4790-A278-D82E52B07297.jpg?v=1781208145"},{"product_id":"antique-italian-school-oil-painting-southern-coastal-landscape-circa-1870","title":"Antique Italian School Oil Painting, Southern Coastal Landscape, Circa 1870","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA well-executed Italian School coastal veduta, oil on canvas, depicting a sweeping panoramic view across a southern Italian bay from an elevated vantage point. The composition moves from a dark foreground of Mediterranean scrub and agave through tiered hillside architecture to a luminous bay with sailing vessels, a fortified promontory at center, and a range of blue-grey mountains across the water. The lower right carries a detailed arcaded harbor front with small figures on the quay. The canvas is original and unlined on a keyed pine stretcher. Unsigned, as is typical of the commercial veduta tradition that supplied the 19th-century Grand Tour market.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | Unidentified Italian Artist, 19th Century\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on canvas\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Southern Italian coastal landscape, Bay of Naples region\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | Italy\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1850 to 1880\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Italian School, veduta tradition\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 18.75 in W x 13.75 in H (canvas); 21.5 in W x 16 in H (framed)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Period ebonized wood molding with gilt bead-and-reel inner border; age-appropriate wear to gilding at corners and sight edge\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Unsigned\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe painting is in good to very good condition for its age. The paint surface is stable with fine craquelure consistent with oil on canvas of this period, uniform across the composition and showing no active flaking or lifting. No visible paint loss. The varnish layer is even in person. The canvas is original and has not been relined, which is uncommon and desirable in a work of this age. The canvas back shows scattered foxing or mold spotting on the reverse of the ground layer; this does not appear to have penetrated to the paint surface but is worth examining in raking light before the piece is hung. The stretcher retains its original keys. The frame shows honest wear consistent with age, including gilding loss at the corners and along the inner sight edge, and minor scuffs to the ebonized molding. No breaks or structural issues to the frame.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51411227345174,"sku":"AMD-03123","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2492.jpg?v=1781280895"},{"product_id":"antique-victorian-seascape-oil-painting-signed-r-kaye","title":"Antique Victorian British Seascape Oil Painting, Signed R. Kaye, Circa 1890","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSigned R. Kaye, oil on canvas, this atmospheric coastal seascape depicts a rugged rock headland rising from a heavy swell, breaking surf across a sandy foreground, and a warm sky in dusty rose and pale gold. The composition, palette, and handling are consistent with British coastal landscape painting of the late Victorian to Edwardian period, a tradition rooted in the Romantic marine painting that followed Turner and practiced widely by trained and amateur-professional artists throughout the final decades of the 19th century. The painting is signed lower right and the same name is inscribed on the verso canvas. R. Kaye has not been identified in the major auction databases, but the quality of the sky and the confident brushwork in the wave foam point to a painter with genuine practice.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | R. Kaye (British, active late 19th to early 20th century; not currently listed in major auction databases)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on canvas\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Coastal seascape with rocky headland and breaking surf\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | United Kingdom\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1880 to 1905, late Victorian to Edwardian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Victorian British coastal landscape\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 14 in W x 10 in H (canvas); 20.25 in W x 17 in H (framed)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Original period gilt gesso frame with repeating anthemion and egg-and-dart ornamental border, consistent in style and construction with late Victorian exhibition framing\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Signed lower right: R. Kaye; name also inscribed on verso canvas\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe painting is in good displayable condition with honest age-related wear. The paint layer is stable overall with fine age craquelure throughout. There is one area of paint loss with exposed canvas weave in the lower left of the composition, within the surf, approximately 1 cm in diameter. Several fine surface scratches run through the lower sky and upper wave area, visible in raking light. Accumulated varnish darkening mutes the original palette somewhat; a light professional cleaning would likely recover warmth and contrast. The original period gilt gesso frame is in good antique condition. One corner mitre joint has opened slightly. The ornamental gesso surface is largely intact with minor losses and wear consistent with age.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51411776864534,"sku":"AMD-03124","price":885.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2517.jpg?v=1781297675"},{"product_id":"victorian-highland-cattle-loch-oil-painting-signed-circa-1880","title":"*RESERVED* Victorian Oil Painting, Highland Cattle at a Loch, Signed, Circa 1880","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSigned Victorian oil on board depicting Highland cattle watering at dusk, signed lower right \"Ea. Bühler.\" The composition follows the classic Highland cattle formula perfected by British painters in the decades following Landseer's dominant influence: a large dark bull stands in the foreground shallows, his reflection carrying the pink of the evening sky into the loch surface, while two further cattle drink and stand to the right and a loose group grazes on the far bank. Behind them, a sweeping panorama of layered Scottish mountains recedes under a banded twilight sky of rose, peach, and cool grey-blue. The bull in particular is painted with genuine animal knowledge — correct horn conformation, shaggy Highland coat, credible weight in the stance. This is a practiced hand, not an amateur exercise. The original gilt gesso frame with applied floral corner ornaments is period-appropriate and in good condition for its age.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | Signed lower right: \"Ea. Bühler\" (unverified; artist not confirmed in available databases)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on board\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Highland cattle watering at a loch, dusk\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | British\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1870 to 1895, Victorian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Victorian British Highland landscape tradition\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 11 in H x 12.75 in W (board); 14.5 in H x 16.5 in W (framed)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Original period gilt gesso frame with applied floral and acanthus corner ornaments and egg-and-dart inner molding, consistent with British Victorian presentation framing circa 1870–1895\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Signed lower right\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe painting is in good antique condition consistent with its age. Pronounced craquelure is present throughout the surface, most visible in the sky and mountain passages, and is consistent with 19th-century oil on board of this period. The varnish has yellowed and is uneven in places, giving some passages a warmer tone than the underlying paint may intend. A surface clean and revarnish by a conservator would clarify the palette considerably. No paint loss or inpainting is visible from photograph inspection, though a raking-light examination of the full surface is recommended before sale. The original gilt gesso frame shows honest wear to the flat rails with some minor gesso losses, and the applied corner ornaments are intact. The overall presentation is good and the piece is display-ready as found.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51411831030038,"sku":"AMD-03125","price":1175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/IMG_5159.jpg?v=1781296308"},{"product_id":"victorian-silverplate-footed-dish-with-rococo-border-circa-1880","title":"Victorian Silverplate Footed Dish with Rococo Border, Circa 1880","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eVictorian Silverplate Footed Dish with Rococo Border, Circa 1880\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Footed dish\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Electroplated base metal\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England, probably Birmingham or Sheffield\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1870 to 1900, Victorian period\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Rococo revival\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 1.5 in H x 3.75 in W x 3 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Feet | Four cast acanthus and shell feet\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Border | Repoussé foliate and floral border with shaped corners\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eGood antique condition with honest age-appropriate wear throughout. The exterior and border retain good surface brightness with the repoussé decoration crisp and intact. The four cast acanthus and shell feet are solid and undamaged. The interior shows wear and oxidation consistent with age and use, giving the bowl a darkened, mellow tone. No dents, repairs, or damage to the border or feet.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51411955286294,"sku":"AMD-03126","price":48.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2541.jpg?v=1781298378"},{"product_id":"antique-english-coastal-oil-card-attributed-alfred-bool-circa-1900","title":"Antique English Coastal Oil on Card, Attributed to Alfred H. Bool, Circa 1900","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA small oil on card depicting a low-tide coastal scene, with warm ochre sand running across the foreground, red-brown cliffs rising to a grass-topped headland at right, and a pale coastal sky dissolving into a distant horizon where what appears to be a town or industrial silhouette sits at the far left. A small figure and dark forms occupy the beach at center. The work is inscribed verso \"H. Bool\" in what is likely the hand of Alfred H. Bool, son of the documented Victorian landscape and coastal painter Charles A. Bool, who was active in oils and watercolor from the late 19th century into the Edwardian period. Both father and son painted coastal and landscape subjects in this direct, unpretentious manner.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | Attributed to Alfred H. Bool (British, late 19th\/early 20th century)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on card\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Coastal landscape, low tide with cliffs and distant town\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1890 to 1910\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Victorian British coastal, plein air sketch tradition\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 7.25 in W x 4.75 in H (board); 10.25 in W x 7.75 in H (framed)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Period gilt gesso with pressed floral and foliate ornament, original to the painting\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Inscribed verso: H. Bool\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe painting is in good antique condition appropriate to its age and format. The paint surface shows general toning and some scattered spotting visible across the sky area, consistent with age on card support. No flaking or active paint loss is visible in the photos. The card support appears stable. The gilt gesso frame shows wear and darkening throughout the gilding, with loss and separation at the corner joints, most visible at the lower right corner in the photos. The chain hanger is intact.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51412197376278,"sku":"AMD-03127","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2547.jpg?v=1781300594"},{"product_id":"antique-silverplate-salt-cellar-cobalt-blue-glass-liner-1880","title":"Antique Silverplate Salt Cellar with Cobalt Blue Glass Liner, Ca. 1880","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA pierced silverplate salt cellar in the English Neoclassical Revival manner, oval boat form on a spreading pedestal foot with two scroll handles and a fitted cobalt blue glass liner. This form descends directly from the Adam-style silverwork of the late 18th century and was produced continuously in electroplate through the Victorian and Edwardian periods. The cobalt blue liner is not decorative — it is the practical solution to a real problem: salt corrodes silver, so the glass protected the metal while the pierced body let the blue show through. The result is one of those pieces that is more visually striking than its modest origins might suggest.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Open salt cellar\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Electroplated silverplate with cobalt blue glass liner\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1880 to 1910, Victorian to Edwardian period\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Neoclassical Revival\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 3.25 in H x 6.25 in W x 2.5 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Marks | B13 (pattern or batch number); no maker's cartouche or EPNS stamp present\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Liner | Cobalt blue glass, oval, removable, intact\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eGood antique condition overall. The silverplate shows minimal wear consistent with age, with some loss to the plate at the foot rim and handles where the base metal shows through lightly. The pierced body is intact with no dents, damage, or losses to the piercing. Both scroll handles are sound and undamaged. The cobalt blue glass liner is present, removable, and intact with no chips or cracks. Displays well.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51412200653078,"sku":"AMD-03128","price":62.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2554.jpg?v=1781301173"},{"product_id":"art-deco-silverplated-letter-rack-checkerboard-enamel-circa-1930","title":"Art Deco Silverplated Letter Rack with Checkerboard Enamel, Circa 1930","description":"\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"1\"\u003eA silverplated brass \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"22\"\u003eletter rack with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"39\"\u003eblack and white \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"55\"\u003echeckerboard enamel, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"76\"\u003ecirca 1920s to \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"91\"\u003e1935, sourced in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"108\"\u003eEngland. The rectangular \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"133\"\u003ebase is inlaid with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"153\"\u003ealternating black and cream vitreous \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"190\"\u003eenamel panels framed by a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"216\"\u003ebeaded silverplated \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"236\"\u003eborder, and two arched wire dividers \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"273\"\u003erise from the center to create three \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"310\"\u003eslots for correspondence. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"340\"\u003echeckerboard pattern and the crisp \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"375\"\u003egeometric border place this \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"403\"\u003esquarely in the Art Deco period. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"436\"\u003eNo maker's marks are \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"457\"\u003epresent, which is typical for English \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"495\"\u003esilverplated desk accessories of \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"528\"\u003ethis era, as hallmarking \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"553\"\u003erequirements applied to sterling silver \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"593\"\u003erather than plate.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Type | Letter \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"17\"\u003erack\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Material | Silverplate on \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"29\"\u003ebrass with vitreous enamel inlay\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Dec\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"6\"\u003eoration | Alternating black and cream \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"44\"\u003echeckerboard enamel panels\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Border | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"12\"\u003eBeaded silverplated surround\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"3\"\u003eBase | Black velvet pad\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Marks | None; unmarked \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"26\"\u003esilverplate on brass, consistent with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"64\"\u003eEnglish production of the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"90\"\u003eperiod\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Origin | England\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Ag\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"5\"\u003ee | Circa 1920 to 1935, Art \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"33\"\u003eDeco period\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Size | 3.25 in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"18\"\u003eH x 7 in W x 2.75 in D\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eThe rack is in good \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"20\"\u003econdition with honest \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"42\"\u003eage-appropriate wear. The silverplate \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"80\"\u003eshows tarnishing and surface \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"109\"\u003eoxidation across the base plate \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"141\"\u003eand wire dividers, consistent \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"171\"\u003ewith age. The enamel panels \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"199\"\u003eare intact with no chips \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"224\"\u003eor losses visible. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"247\"\u003ebeaded border retains good \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"274\"\u003edefinition. The black velvet base \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"308\"\u003epad is present but shows \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"333\"\u003ewear and some fraying at the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"362\"\u003eedges. No dents, no structural \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"393\"\u003edamage, and the wire dividers are \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"427\"\u003estraight and secure.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51415803691286,"sku":"AMD-03129","price":115.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2589.jpg?v=1781382633"},{"product_id":"british-school-reclining-nude-oil-panel-gilt-frame","title":"*RESERVED FOR LINDA* British School Reclining Nude Oil Painting","description":"\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eA small, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"9\"\u003epainterly life study of a reclining \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"45\"\u003efemale nude, prone and absorbed in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"80\"\u003ereading, oil on plywood panel with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"115\"\u003everso inscription \"P. Jones.\" The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"149\"\u003efigure is rendered with confident, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"184\"\u003eeconomical brushwork against a warm \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"220\"\u003edark ground, the flesh built up in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"255\"\u003eochres and siennas in a tradition that \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"294\"\u003eruns from Velázquez through \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"322\"\u003ethe British academic schools \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"351\"\u003eof the early 20th \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"369\"\u003ecentury. Acquired from a fine art \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"403\"\u003edealer in England, it sits in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"433\"\u003ean ornate 19th-century \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"456\"\u003ecarved gilt gesso frame with a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"487\"\u003enatural linen liner that was \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"516\"\u003eclearly chosen for it at some \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"546\"\u003epoint, and chosen well.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]A\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"4\"\u003ertist | Unidentified Artist, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"33\"\u003eBritish School, 20th Century. Verso \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"69\"\u003einscribed \"P. Jones.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Medium | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"12\"\u003eOil on plywood panel\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Su\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"5\"\u003ebject | Reclining female \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"30\"\u003enude, prone, reading\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Orig\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"7\"\u003ein | United Kingdom\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Age \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"7\"\u003e| Circa 1930s to 1950s\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Style | British \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"19\"\u003eacademic figure painting\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Size \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"8\"\u003e(panel) | 10 in W x 6 in H\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Size (framed) | 13.5 in W \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"29\"\u003ex 9.5 in H\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Frame | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"11\"\u003e19th-century carved gilt gesso \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"42\"\u003eRococo Revival frame with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"68\"\u003enatural linen liner\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Signatu\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"10\"\u003ere | Unsigned on face. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"33\"\u003eVerso inscribed \"P. Jones.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eThe painting surface is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"24\"\u003ein good condition with surface \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"55\"\u003edirt and no paint loss. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"83\"\u003eplywood panel is stable with no \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"115\"\u003ewarping or delamination \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"139\"\u003evisible. The carved gilt gesso \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"170\"\u003eframe shows gilding losses and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"201\"\u003eage-related wear throughout, with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"235\"\u003ethe characteristic warm red \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"263\"\u003ebole visible at the corners \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"291\"\u003eand rails where the gilding \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"319\"\u003ehas rubbed. These losses \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"344\"\u003eare consistent with the frame's \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"376\"\u003eage and do not detract \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"399\"\u003efrom its overall presence. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"430\"\u003elinen liner is intact.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51416014422294,"sku":"AMD-03130","price":625.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2684.jpg?v=1781392057"},{"product_id":"antique-french-self-portrait-oil-painting-mlle-de-matagoval-circa-1860","title":"*RESERVED* Antique French Self-Portrait Oil Painting, Mlle de Matagoval","description":"\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eA 19th-century \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"15\"\u003eFrench self-portrait study, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"43\"\u003ethe canvas inscribed \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"64\"\u003eon the verso \"Portrait \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"87\"\u003ede Mlle de Matagoval, par \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"113\"\u003eelle-même\" — by herself. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"142\"\u003esitter painted her own \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"165\"\u003elikeness in the academic \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"190\"\u003etradition of the mid-1800s, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"218\"\u003epositioning herself in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"241\"\u003ethree-quarter view against a loose \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"276\"\u003eoutdoor ground of teal \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"299\"\u003efoliage and warm sunset \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"323\"\u003esky, a red rose tucked at \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"349\"\u003eher chest, a turquoise \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"372\"\u003eribbon threaded through her \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"400\"\u003edark braided hair. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"423\"\u003equality of the face — its \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"449\"\u003esmooth, confident \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"467\"\u003emodeling and the care given to the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"502\"\u003eeyes — speaks to real \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"524\"\u003etraining. The background is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"552\"\u003ehandled broadly and freely, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"580\"\u003ethe way an academic \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"600\"\u003epainter sketched what didn't \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"629\"\u003ematter in order to \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"648\"\u003econcentrate on what did.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cmeta charset=\"utf-8\"\u003e[d]Artist | Attributed to Mademoiselle de Matagoval, French School; identified by verso inscription as a self-portrait; artist not confirmed in available databases\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Medium | Oil \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"16\"\u003eon canvas\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Subject \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"11\"\u003e| Self-portrait, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"28\"\u003ebust-length, young woman with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"58\"\u003erose and turquoise ribbon\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Origin | France\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Age | Circa 1850 to \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"23\"\u003e1875\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Style | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"11\"\u003eFrench Academic, Romantic \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"37\"\u003eperiod\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Canvas size | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"17\"\u003e7.5 in W x 9.75 in H\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]F\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"4\"\u003eramed size | 10 in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"23\"\u003eW x 11.75 in H\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Fram\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"7\"\u003ee | Period gilt \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"23\"\u003egesso with running diamond \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"50\"\u003eand foliate ornament, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"72\"\u003econsistent with French \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"95\"\u003eproduction circa 1860 to 1880\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Verso inscription \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"21\"\u003e| \"Portrait de \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"36\"\u003eMlle de Matagoval, par \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"59\"\u003eelle-même\" (Portrait of \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"83\"\u003eMademoiselle de Matagoval, by \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"113\"\u003eherself), written in period \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"141\"\u003ecursive directly on the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"165\"\u003ecanvas\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Signature | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"15\"\u003eUnsigned on front; \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"34\"\u003eidentified by verso \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"54\"\u003einscription\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eThe \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"4\"\u003ecanvas is in good stable \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"29\"\u003econdition overall. Natural \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"56\"\u003ecraquelure is present across \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"85\"\u003ethe face and hair, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"104\"\u003econsistent with age and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"128\"\u003eentirely undisturbing. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"155\"\u003epaint layer is almost \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"177\"\u003ecompletely stable with no \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"203\"\u003eactive lifting. There is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"228\"\u003ea small area of \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"244\"\u003eminimal paint loss at a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"268\"\u003edent in the upper \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"286\"\u003eright corner of the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"306\"\u003ecanvas surface, likely \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"329\"\u003ecaused by impact at some \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"354\"\u003epoint in the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"367\"\u003epainting's history. A period \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"396\"\u003erepair patch is present \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"420\"\u003eon the verso, evidence \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"443\"\u003eof earlier \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"454\"\u003econservation. The frame \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"478\"\u003eretains its original \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"499\"\u003egilding with honest \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"519\"\u003eage-appropriate wear; the ornament \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"554\"\u003eis intact across all \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"575\"\u003efour sides.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51416017633558,"sku":"AMD-03131","price":1285.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2672.jpg?v=1781392792"},{"product_id":"antique-victorian-oil-painting-two-hounds-scenting-british-school-circa-1870","title":"*RESERVED* Antique Victorian Oil Painting, Two Rough-Coated Hounds Scenting","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eTwo rough-coated scent hounds caught mid-hunt — one baying with head raised, one nose-down working the ground scent — painted by an unidentified Victorian British artist with evident firsthand knowledge of the hunt field. The composition captures a specific and technically accurate moment: the \"find,\" where hounds work the line and give voice. The painting is oil on board, unsigned, and dates to the second half of the 19th century based on the handling, palette, and the period gilt frame in which it has clearly lived for most of its life.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | Unidentified Victorian British School\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on board\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Two rough-coated scent hounds, one baying, one scenting\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Second half of the 19th century, circa 1860 to 1890\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Victorian British sporting art\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 14 in W x 9.25 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Framed size | 19.75 in W x 15 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Period gilt gesso and wood molding with gadrooned inner edge and carved foliate outer crest; original or contemporary with the painting\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Unsigned\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe painting is in good overall condition for its age with several points to note. The paint surface in the lower right corner, in the dark ground passage below the scenting hound, shows some separation from the support visible under raking light. The area appears stable and is not in the primary subject area, but a conservator could consolidate it as a precaution if the new owner wishes. There is also evidence of prior restoration work in one or more areas of the painting; this appears to have been competently executed and is not visually disruptive under normal lighting. The principal dog passages are intact and well-preserved. Surface varnish shows age-appropriate darkening with some tonal variation consistent with uneven original application or partial cleaning in the past. The frame is in good condition overall with losses to the gilt at several points, most notably at the corners; the carved ornamental molding is intact. The hanging cord is a later addition. Ready to hang.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51416025989398,"sku":"AMD-03132","price":1100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2735.jpg?v=1781396242"},{"product_id":"antique-english-equestrian-oil-painting-signed-w-turner-circa-1900","title":"*RESERVED* Antique English Equestrian Oil Painting, Signed W. Turner, Horse in Stable","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA dark bay thoroughbred stands in profile against a minimal stable interior, coat rendered with the close academic attention that characterised the best Victorian equestrian portraiture. To the right, a grey saddlecloth trimmed in red hangs from a chain rack over a hay bale, its monogrammed initials \"J.F.\" picked out in red on the face of the cloth. That detail is what makes this painting something more than a generic stable study: someone commissioned this to document a specific horse, and a specific owner's colours.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | W. Turner (signed lower right)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on canvas\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Dark bay thoroughbred in stable interior with monogrammed saddlecloth\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | English\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1900\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Victorian sporting art, equestrian portrait tradition\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 16 in W x 12 in H (unframed)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Unframed\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Signed lower right: W. Turner\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAntique condition consistent with approximately 125 years of age. Surface grime present across the canvas. Minor paint loss at corners. A horizontal canvas crease visible in the upper third, consistent with period storage or transport. No tears or active flaking observed. Professional cleaning and lining recommended prior to framing. Sold unframed.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51416030380310,"sku":"AMD-03133","price":895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2701.jpg?v=1781397097"},{"product_id":"french-ormolu-circular-picture-frame-convex-glass-circa-1890","title":"Antique French Gilt Bronze Circular Picture Frame, Convex Glass","description":"\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eA French ormolu \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"16\"\u003epicture frame in the Louis XVI revival \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"55\"\u003etaste, made for the dressing table or \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"93\"\u003eboudoir to display a small portrait \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"129\"\u003ephotograph or miniature. The circular \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"167\"\u003eframe is crowned with an open-work cast \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"207\"\u003ecrest of ribbon bows, roses, and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"240\"\u003efoliate scrolls — the most \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"267\"\u003echaracteristic form of this type — and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"306\"\u003ethe outer rim is chased with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"335\"\u003eegg-and-dart and beading. Between the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"373\"\u003eouter rim and the inner rope-twist \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"408\"\u003esight ring, two cast laurel branch \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"443\"\u003eappliqués are applied directly to the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"481\"\u003ecream silk moiré mat, a detail that \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"517\"\u003elifts this example above the plainer \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"554\"\u003eversions of the same form. The original \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"594\"\u003edomed convex glass is intact. The frame \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"634\"\u003estands on a gilt wire tripod easel and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"673\"\u003ecan also be hung from the ring at the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"711\"\u003eapex of the crest. A retailer's mark is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"751\"\u003eimpressed into the blue velvet backing \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"790\"\u003eboard, indicating this frame was sold \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"828\"\u003ethrough a London fancy goods or \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"860\"\u003ephotographic accessories shop, as was \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"898\"\u003ecommon practice for quality French \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"933\"\u003eormolu frames throughout the late \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"967\"\u003eVictorian period.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Type | Circular \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"19\"\u003eeasel picture frame\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Material | Gilt \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"19\"\u003ebronze (ormolu), convex glass, cream \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"56\"\u003esilk moiré mat\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Origin | France, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"20\"\u003eParis; retailed in England\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Age | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"9\"\u003eCirca 1880 to 1905, Louis XVI revival\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Style | Louis XVI revival, Belle \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"36\"\u003eÉpoque\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Crest | Open-work \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"21\"\u003ecast bow with roses and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"45\"\u003efoliate scrolls\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Rim | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"9\"\u003eEgg-and-dart and beaded chasing\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Mat Appliqués | Two \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"23\"\u003ecast gilt bronze laurel \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"47\"\u003ebranch sprays applied to silk \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"77\"\u003emat\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Glass | Original \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"20\"\u003edomed convex glass, intact\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Easel | Gilt wire \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"21\"\u003etripod, functional; hanging \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"49\"\u003ering at apex\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Retailer's \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"14\"\u003eMark | Impressed into blue \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"41\"\u003evelvet backing board; \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"63\"\u003epartially legible\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Overall Size | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"18\"\u003e7.75 in H (to top of bow) x 7 in W x \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"55\"\u003e.75 in D\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Picture Aperture | 3.75 in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"30\"\u003ediameter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eThe frame \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"10\"\u003eis in very good antique \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"34\"\u003econdition. The ormolu shows even, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"68\"\u003eage-appropriate oxidation throughout \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"105\"\u003ewith no concentrated losses, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"134\"\u003eno damage to the casting, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"160\"\u003eand no missing elements on \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"187\"\u003ethe crest, rim, or laurel \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"213\"\u003eappliqués. The original domed \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"243\"\u003econvex glass is completely intact \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"277\"\u003ewith no chips, cracks, or \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"303\"\u003evisible scratches. The cream \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"332\"\u003esilk moiré mat is intact with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"362\"\u003eno staining, losses, or \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"386\"\u003efraying. The blue velvet backing is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"422\"\u003epresent. The gilt wire tripod \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"452\"\u003eeasel is fully functional and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"482\"\u003ethe frame stands on its own. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"511\"\u003eThe hanging ring at the apex of the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"547\"\u003ecrest is present and sound. An \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"578\"\u003ehonest, well-preserved example of \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"612\"\u003ethis type.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51416036737302,"sku":"AMD-03134","price":465.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2755.jpg?v=1781398343"},{"product_id":"victorian-oil-painting-haddon-hall-derbyshire-signed-kingdom","title":"*RESERVED* Antique English Oil Painting of Haddon Hall, Derbyshire, Signed","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eSigned in the lower right in red paint and identified by the selling dealer as a view of Haddon Hall, this small Victorian oil records the south garden front of one of England's most celebrated medieval manor houses. The composition takes in the crenellated roofline and grid of leaded casement windows that define Haddon's distinctive limestone facade, the clipped hedges and stone balustrade of the upper terrace, and a broad flight of garden stairs descending to the right, with a solitary figure leaning at the balustrade rail. The painter, who signed with the surname Kingdom, has not been traced in available records, but the architectural specificity of the work suggests someone with direct access to the site.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eHaddon Hall sits in the Wye Valley near Bakewell in Derbyshire and has been held by the Manners family, Dukes of Rutland, for centuries. What makes it extraordinary is that it stood largely uninhabited from the early 18th century onward, which meant it escaped the Georgian and Victorian improvements that modernized most comparable houses. By the time Victorian visitors and painters discovered it, Haddon was regarded as the finest surviving example of a medieval and Tudor English manor in the country. Artists came from across England to record its towers, its chapel, its great hall, and its terraced gardens, and views of its grounds were collected by the gentry as images of a pre-industrial national heritage. This painting is exactly that tradition: a careful, on-site record of a place that Victorian England treated as a living monument.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | Signed \"[initials] E. Kingdom,\" artist unverified\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on canvas\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | The gardens and south front of Haddon Hall, Derbyshire, with a figure at the stone balustrade terrace\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1870 to 1900, Victorian period\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | English topographical landscape, Victorian academic\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 14.25 in W x 10.25 in H (canvas); 16.25 in W x 12.25 in H (framed)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Later gilt wood replacement frame, not period to the painting\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Signed lower right in red paint, \"[initials] E. Kingdom\"; artist not traced in available records\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe painting is in good antique condition overall. The canvas is stable with well-developed craquelure consistent with age, most visible in the foreground path and lawn areas. There is a small area of inpainting on the front surface in the balustrade section, located just below and slightly right of the staffage figure, corresponding to a canvas patch visible on the verso. This repair is discreet and does not significantly affect the reading of the composition. The varnish has yellowed moderately, which slightly darkens the shadowed tree canopy areas but does not obscure the painting. The surface reads well from normal viewing distance. The frame is a later gilt wood replacement in serviceable condition, appropriate for display but not original to the painting.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51425372602646,"sku":"AMD-03135","price":1250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/ACC03A23-D548-49EE-8FD0-51AA2AE88BE9.jpg?v=1781548000"},{"product_id":"victorian-queen-victoria-coronation-chromolithograph-circa-1880","title":"*RESERVED FOR LISA* Chromolithograph of Queen Victoria in Coronation Regalia","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA Victorian chromolithograph after Sir George Hayter's 1838 official coronation portrait of Queen Victoria, published for the British market and framed at some point in the late 20th century by Boots Picture Framing Department, whose label remains on the verso. The image is one of the most historically significant royal portraits in the British tradition: the nineteen-year-old queen in full coronation regalia, Imperial State Crown, cloth-of-gold Supertunica, crimson ermine-trimmed robes, and the Sovereign's Sceptre raised aloft. Color is strong, with no visible fading, foxing, or surface damage.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Queen Victoria in Coronation Regalia, after Sir George Hayter (1838)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Chromolithograph on paper\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | United Kingdom\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Late Victorian, circa 1880 to 1900 (framed later, 20th century)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Reproduction gilt wood with beaded inner edge; cream mat; glazed\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Framed Size | 14 in W x 18 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Verso | Boots Picture Framing Department label (circa 1970s to 1980s); publisher imprint obscured beneath mat\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe print is in good condition. Color is vivid and well-preserved across the image, with no visible fading, foxing, or toning in the areas visible through the mat. No surface marks or damage to the print were observed. The mat is cream and appears clean. The frame is a reproduction gilt moulding consistent with late 20th-century commercial framing, with minor wear to the gilt at the corners. Glass is present and intact. The Boots Picture Framing Department label is intact on the verso. The publisher imprint, if present, is obscured beneath the mat and was not examined.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51425961738518,"sku":"AMD-03136","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2805.jpg?v=1781551687"},{"product_id":"french-louis-xvi-ormolu-kingwood-picture-frame-circa-1890","title":"*RESERVED* French Louis XVI Ormolu and Kingwood Picture Frame","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis French circular photograph frame is one of the more complete examples of the type I've brought back from this trip. The ground is parquetry-veneered wood in a deep reddish-brown consistent with kingwood, laid in a herringbone chevron pattern, and the ormolu mounts cover every expected surface of the Louis XVI revival vocabulary: a ribbon-tied bow-and-flower crest at the arch, a beaded oval surround for the circular aperture, a central bow knot above a swagged rose garland descending to a pair of neoclassical urn-and-pedestal mounts, and a rosette medallion at the base. The outer border is a continuous cast leaf-and-berry strip. Paris, circa 1890.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Circular easel photograph frame\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Kingwood or tulipwood herringbone parquetry; cast gilt bronze (ormolu) mounts and border\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | France, Paris\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1880 to 1900, Belle Époque period\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Louis XVI revival\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Overall Size | 9.5 in H x 5.5 in W\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Aperture | 3.75 in diameter, circular\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Backing | Green fabric over board with brass turn-button catches and fitted triangular easel strut\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe frame is in good antique condition overall. The ormolu mounts retain good gilding throughout with honest age-related oxidation and patina, most visible in the recesses of the cast garlands and the base rosette. The parquetry wood ground is intact with no lifting or losses visible. The green fabric backing shows wear, scuffing, and minor losses consistent with age and use. The original glass is present but has bubbling or chipping along the edge of the oval, visible when examined closely. The glass does not affect the display face of the aperture. The easel strut functions and the frame stands securely.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Austyn Marie","offers":[{"title":"Default Title","offer_id":51426755084566,"sku":"AMD-03138","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2847.jpg?v=1781561053"},{"product_id":"antique-english-hand-coloured-engraved-royal-costume-plates","title":"Antique English Hand-Coloured Engraved Royal Costume Plates","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThese are antique English hand-coloured engravings documenting two distinct periods of English royal court dress, each reconstructed from named primary sources cited in scholarly labels adhering to the verso of each frame. The technique is engraving with hand-applied watercolour — the grey tonal shadow work in the skirts and cloaks reads as intaglio printing, with colour finished by hand over the top. Neither is a chromolithograph or mechanical reproduction. Both are housed in matching ebonized frames with gilt bead inner edges and yellow watered silk mats. Each piece was previously in the stock of Harriet Wynter, Interior Decorations and Antiques, Brighton, whose label survives on the verso of both frames.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe Blue Gown documents court dress of approximately 1483, the reign of Edward V and Richard III. The figure wears a wide blue overgown, heavily embroidered white forepart, elaborate jeweled headdress, and pearl chain necklace, and holds a pomander on a pin. The verso label cites four primary sources: portraits of Elizabeth Woodville, Queen of Edward IV; a description of the dress of Anne, Queen of Richard III, on the day before her coronation; Illuminated Royal Manuscript 16 F. 2; and the effigy of Lady Peyton in Isleham Church, Cambridgeshire.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe Gold Gown documents Jacobean court dress of approximately 1610 to 1630, the reign of James I and the opening years of Charles I. The figure wears a large cartwheel ruff, heavily patterned lozenge-work brocade gown, long rope of pearls, and carries a peacock feather fan, a documented luxury accessory at the Jacobean court. The verso label cites three primary sources: portraits of Elizabeth Stuart, Queen of Bohemia and daughter of James I; Speed's Map of England; and the court portraits of Paul van Somer, the Flemish painter who served at the English court of James I.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Hand-coloured engraving on paper\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | English royal court costume, two periods available — see variants\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1820 to 1850\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size (framed) | 12.75 in H x 10 in W\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Ebonized wood with gilt bead inner edge, yellow watered silk mat\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Provenance | Harriet Wynter, Interior Decorations and Antiques, 22 Ship Street, Brighton, Sussex\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Verso | Scholarly labels citing named primary sources for each period — see description\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eBlue Gown:\u003c\/strong\u003e The print shows scattered foxing across the paper, most visible in the lower right quadrant and near the mat edges. General toning to the cream paper stock throughout, consistent with age. The image area is intact with no tears or losses to the engraved or coloured surface. The yellow watered silk mat shows fading and discoloration at the corners. The ebonized frame with gilt bead inner edge is intact.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cstrong\u003eGold Gown:\u003c\/strong\u003e General toning to the cream paper stock consistent with age. No foxing visible in the image area. The yellow watered silk mat shows fading consistent with its companion. The ebonized frame with gilt bead inner edge is intact. The better-preserved of the two.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Blue Gown","offer_id":51427164750102,"sku":"AMD-03139","price":250.0,"currency_code":"USD","in_stock":true},{"title":"Gold Gown","offer_id":51427164782870,"sku":"AMD-03140","price":275.0,"currency_code":"USD","in_stock":false},{"title":"Pair","offer_id":51433074163990,"sku":"AMD-03151","price":485.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2930.jpg?v=1781562768"},{"product_id":"victorian-brass-chain-link-picture-frame-ca-1900","title":"Victorian Brass Chain Link Picture Frame","description":"\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Picture frame\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Brass, period glass\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Construction | Belcher-style chain border, individually linked rings with corner connectors, flat brass structural bar to reverse\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1890 to 1910\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Victorian, equestrian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Overall Size | 7.75 in H x 5 in W\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Picture Aperture | 6.25 in H x 4.25 in W\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Stand | Original folding strut, functional\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Glass | Period glass present\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe frame is in good antique condition consistent with age. All chain links are intact with no bends, breaks, or repairs visible around the full perimeter. The corner connectors are secure. The flat brass bar on the reverse is present and sound. The original folding strut is intact and holds the frame upright without issue. The brass shows an even aged patina with verdigris at several contact points along the chain, consistent with natural oxidation over time and not the result of damage or poor storage. The period glass is present and intact with light surface dust and minor scratching consistent with age. No chips or cracks to the glass. No marks or maker's stamps.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51427213836566,"sku":"AMD-03141","price":275.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2965_631187e4-5246-4aef-bbdc-9efe2ee8858a.jpg?v=1781569947"},{"product_id":"antique-victorian-rosewood-dome-top-scent-bottle-box","title":"*RESERVED* Antique Victorian Rosewood Dome-Top Box","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eVictorian Rosewood Dome-Top Scent Bottle Box, Circa 1850 to 1870. The case is a lovely thing on its own. Figured rosewood veneer with full brass stringing along every edge and corner, mother-of-pearl inlay centered on the domed lid, and a hinged interior tray above three fitted bottle compartments lined in the original purple velvet. The three glass scent bottles are missing, which is noted honestly in the condition and reflected in the price.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Scent bottle box\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Rosewood veneer with brass stringing and mother-of-pearl inlay\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1850 to 1870, mid-Victorian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 5 in H x 6 in W x 2.75 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Hardware | Brass stringing throughout; diamond-form brass escutcheon (replacement); two brass hinges\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Interior | Hinged upper tray; three lower bottle compartments lined in original purple velvet; bottles absent\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Lid inlay | Mother-of-pearl inset, present, with chip to one edge and some discoloration\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Key | No key present; lock mechanism intact\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe box is in good antique condition overall. The rosewood veneer is intact across all exterior surfaces with no lifting or losses visible. The brass stringing along the edges and corners is complete and in good order. The mother-of-pearl inlay on the lid is present but shows a chip to one edge and some age-related discoloration. The diamond-form brass escutcheon on the front is a replacement, not original to the box. The hinges are original and function smoothly. The lock mechanism is intact but no key is present. The interior retains its original purple velvet lining in the lower bottle compartments, heavily worn and stained with age but structurally present. The hinged upper tray has lost its lining and shows bare card. The three original glass scent bottles are absent. The base covering is a later felt, worn, with losses and white scuff marks visible.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51427434135830,"sku":"AMD-03142","price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2955.jpg?v=1781571416"},{"product_id":"antique-french-napoleon-iii-kingwood-parfum-casket-star-gilt-bottles-1870","title":"*RESERVED* Antique French Napoleon III Kingwood Parfum Casket with Three Star-Gilt Bottles","description":"\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Ty\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"5\"\u003epe | Cave à \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"17\"\u003eparfums (perfume \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"34\"\u003ecasket)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Material | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"14\"\u003eKingwood and tulipwood \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"37\"\u003eveneer over pine \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"54\"\u003ecarcass, brass fittings\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Bottles | Three \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"19\"\u003ematched square glass \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"40\"\u003ebottles with gilt \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"58\"\u003ebrass octagonal \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"74\"\u003ecollars and scattered \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"96\"\u003egold star decoration\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Origin | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"12\"\u003eFrance\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Age | Circa \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"15\"\u003e1860 to 1880, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"29\"\u003eNapoleon III period\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]S\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"4\"\u003etyle | Second \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"18\"\u003eEmpire\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Size | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"10\"\u003e3.75 in H x 5.5 in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"29\"\u003eW x 3 in D\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]In\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"5\"\u003eterior | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"14\"\u003eOff-white silk or \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"32\"\u003ecotton lining with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"51\"\u003ebrass-edged bottle \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"70\"\u003ecompartments and inset \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"93\"\u003emirror panel\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Hardw\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"8\"\u003eare | Original \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"23\"\u003ebrass hinges, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"37\"\u003elock, and escutcheon\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Key | Original \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"18\"\u003ekey present with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"35\"\u003esilk cord and tassel\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eT\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"1\"\u003ehe exterior of this box is in excellent \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"41\"\u003econdition for its age. The kingwood \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"77\"\u003eherringbone veneer on the sides and the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"117\"\u003etwo-tone marquetry lid panel are intact \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"157\"\u003eacross all surfaces with no visible \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"193\"\u003elifting, losses, or repairs. The brass \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"232\"\u003ecorner guards, lid edge molding, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"265\"\u003ehinges, and lock escutcheon are all \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"301\"\u003eoriginal and in place. The original key \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"341\"\u003eis present with its silk cord and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"375\"\u003etassel.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eThe interior shows \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"19\"\u003eage-appropriate wear. The off-white \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"55\"\u003efabric lining is stained throughout, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"92\"\u003emost visibly on the lid panel and the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"130\"\u003ebase of the bottle compartment. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"166\"\u003ethree original glass bottles with gold \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"205\"\u003estar decoration are present. The left \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"243\"\u003ebottle retains its original faceted \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"279\"\u003eglass stopper and is fully functional. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"318\"\u003eThe center bottle stopper is broken, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"355\"\u003ewith a fragment remaining in the neck. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"394\"\u003eThe right bottle stopper appears to be \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"433\"\u003eadhered in place and cannot be removed; \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"473\"\u003eits condition beneath is unknown. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"511\"\u003ebottle bodies themselves show no \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"544\"\u003evisible cracks or chips. One star gilt \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"583\"\u003edetail is partially worn on the left \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"620\"\u003ebottle. The small inset mirror panel is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"660\"\u003epresent and intact.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eThis piece is sold \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"19\"\u003eas a decorative object. The exterior is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"59\"\u003ethe primary draw.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51427500392726,"sku":"AMD-03143","price":325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-2961.jpg?v=1781571764"},{"product_id":"antique-victorian-silverplate-copper-pierced-jardiniere-1890","title":"Antique Victorian Silverplate on Copper Pierced Jardinière","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThis is a well-made English electroplate jardinière of the kind produced in quantity by Sheffield and Birmingham workshops during the late Victorian and Edwardian periods. The entire body wall is press-pierced in a repeating quatrefoil-and-star trellis, gadroon borders frame the serpentine rim and base rail, and four cast rococo scroll bracket feet — each with acanthus leaf and foliate piercings — give it considerably more presence than the typical plain-footed examples. An applied Rococo cartouche on each long face was intended to hold a crest or name label, the sort of small detail that distinguishes a piece made for a proper household from one made strictly for the trade. The liner is missing, as it almost always is on these. The copper substrate showing through the worn plate gives it the warm two-tone patina that makes this type of piece so appealing now.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Jardinière (cachepot \/ decorative planter)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Silverplate on copper\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England, likely Sheffield or Birmingham\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1880 to 1905, late Victorian to Edwardian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Victorian Rococo Revival\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 3.5 in H x 7 in W x 5.5 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Piercing | Press-pierced quatrefoil and star trellis overall\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Border | Gadroon molding at rim and base rail\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Feet | Four cast rococo scroll bracket feet with acanthus and foliate detail\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Cartouche | Applied Rococo C-scroll cartouche frame on each long face\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Liner | Missing (original liner not present)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Marks | No hallmarks found\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe piece is in good antique condition with honest wear consistent with its age. Silverplate loss is present throughout and significant in areas: the base shows heavy loss exposing the copper, the oval reserves within both cartouche frames have lost all plate and read as warm copper, and the interior shows patchy plate loss across the floor and lower walls. The outer body walls retain more of the original plate, giving the piece an attractive two-tone copper and silver appearance overall that reads as genuine aged patina rather than damage. The cast feet are intact and retain good detail. The serpentine rim is crisp with no apparent bends or repairs. The cartouche frames are intact on both faces. No dents, splits, or structural issues noted. The liner is missing.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51427741106454,"sku":"AMD-03144","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-3015.jpg?v=1781574343"},{"product_id":"antique-english-silverplate-navette-fruit-bowl-masonic-presentation-1927","title":"English Silver plate Navette Fruit Bowl, Masonic Presentation 1927","description":"\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Type | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"10\"\u003eNavette fruit bowl \/ \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"31\"\u003ecomport\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Maker | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"11\"\u003eLloyd Payne \u0026amp; Amiel, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"32\"\u003eManchester\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Pattern Number \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"18\"\u003e| 12997\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Material \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"12\"\u003e| Silverplate \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"26\"\u003eover white metal\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Origin | England, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"21\"\u003eManchester\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Age | Manufactured circa \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"28\"\u003e1910 to 1925; presented \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"52\"\u003eDecember 10, 1927\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Style | Rococo \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"18\"\u003erevival, Edwardian presentation \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"50\"\u003esilverplate\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Size | 8 in H x \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"19\"\u003e10 in W x 8 in D\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Fee\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"6\"\u003et | Four cast \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"20\"\u003elion's-paw feet\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Rim | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"9\"\u003eApplied beaded wire banding\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Gallery Ends | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"18\"\u003ePierced scrolling acanthus \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"45\"\u003epanels with figural scroll \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"72\"\u003efinials\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Inscription | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"17\"\u003eEngraved interior: presented \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"46\"\u003eto Mrs. H. Sykes by the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"70\"\u003eBrethren of Endeavour Lodge \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"98\"\u003e4409 at the Ladies Evening, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"126\"\u003eDecember 10, 1927, in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"148\"\u003ecommemoration of her husband's year in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"187\"\u003ethe Chair\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Masonic Emblem | Engraved \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"29\"\u003elodge emblem above inscription\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Marks\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"8\"\u003e | Lloyd Payne \u0026amp; Amiel, Manchester; \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"44\"\u003epattern number 12997; oval quality \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"79\"\u003ecartouche mark\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eThe bowl \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"9\"\u003eis in good antique condition consistent \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"49\"\u003ewith its age and use as presentation \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"86\"\u003esilverplate. The silverplate is intact \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"125\"\u003eand bright on the interior and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"156\"\u003eacross the decorative applied \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"186\"\u003eelements, including the pierced gallery \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"226\"\u003eend panels, beaded rim wire, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"255\"\u003elion's-paw feet, and scroll \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"283\"\u003efinials. Wear-through to the base \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"317\"\u003emetal is present in localized \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"347\"\u003eareas on the exterior body \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"374\"\u003epanels where the silver has thinned \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"410\"\u003eat the high points of the curved \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"443\"\u003esurface, visible as warm copper toning. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"483\"\u003eThis is age-appropriate and expected in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"523\"\u003ea piece of this date and material. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"562\"\u003ecast applied elements show no losses. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"600\"\u003eThe engraved inscription and Masonic \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"637\"\u003elodge emblem are crisp and fully \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"670\"\u003elegible. The overall structure is sound \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"710\"\u003ewith no dents, splits, or repairs \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"744\"\u003eobserved.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51427759816982,"sku":"AMD-03145","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-3026.jpg?v=1781574616"},{"product_id":"french-ormolu-string-holder-louis-xvi-revival-circa-1880","title":"*RESERVED* Antique French Ormolu String Holder","description":"\u003cdiv class=\"[content-visibility:auto] [contain-intrinsic-size:auto_400px] px-2 -mx-2 pb-8 -mb-8 print:[content-visibility:visible]\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv class=\"mb-1 mt-6 group\"\u003e\n\u003cdiv class=\"flex flex-col items-end gap-1\"\u003e\n\u003cdiv class=\"flex justify-start opacity-0 group-hover:opacity-100 group-focus-within:opacity-100 pointer-coarse:opacity-100 transition\" role=\"group\"\u003e\n\u003cdiv class=\"text-text-300\"\u003e\n\u003cdiv class=\"text-text-300 flex items-stretch justify-between\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA French or Continental string holder in ormolu-mounted leather, the cylindrical body covered in deep burgundy leather and encased in layered fire-gilt bronze mounts arranged in discrete horizontal zones: a beaded base ring, a garland-and-bow frieze with pendant husks, a beaded mid-border, an open arabesque fretwork band through which the leather ground is visible, a plain collar, and a lift-off lid centered with a floral rosette medallion and beaded edge. The ornamental vocabulary is Louis XVI Revival throughout: ribbon-tied garlands, acanthus scrolls, and neoclassical husks executed in cast ormolu of good weight and definition. The friction-fit lid lifts free to allow reloading; the original ball of twine remains inside, still threaded through the scroll-form wire dispensing loop on the lid, undisturbed since the piece was last in active use. A scratched inventory notation on the base suggests the piece passed through an estate or collection at some point in its history.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | String holder (ficelle holder)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Burgundy leather body with fire-gilt ormolu mounts; gilt brass interior\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | France or Continental Europe\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1870 to 1890, Louis XVI Revival period\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Louis XVI Revival, Third Republic\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 3 in H x 3.25 in diameter\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Lid | Friction-fit lift-off, original\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Contents | Ball of twine present, threaded through lid aperture\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Provenance | Scratched estate inventory notation on base (B \/ 8 \/ 10 \/ 11)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eGood antique condition with honest age-appropriate wear throughout. The ormolu mounts retain their original fire gilding with a warm natural patina that has developed evenly across all zones. The casting definition is good, with the garland, bow, and arabesque ornament reading crisply. No visible losses to the mounts or evidence of re-gilding. The burgundy leather body is intact and visible through the open fretwork of the upper band, showing the color and surface variation consistent with age. The gilt brass interior shows light oxidation and age spotting consistent with long use, with no damage to the vessel itself. The friction-fit lid seats correctly and lifts cleanly. Overall a presentable and structurally sound example with the exceptional distinction of retaining its original contents.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51432761262358,"sku":"AMD-03146","price":285.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-2723.jpg?v=1781629262"},{"product_id":"britannia-metal-tea-caddy","title":"Victorian Britannia Metal Tea Caddy, Bombe Form","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eVictorian Britannia Metal Tea Caddy, Bombe Form, English, Circa 1840\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Tea caddy\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Britannia metal\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Maker | Marked \"Wood,\" pattern number P2354; maker unverified\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England, likely Sheffield or Birmingham\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1840, early Victorian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Rococo Revival with chinoiserie engraving\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 4.5 in H x 4.5 in W x 2.5 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Feet | Four paw feet on arched apron\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Hinge | Original multi-reed fitted hinge\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Interior | Plain polished metal, no liner\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Lock | None\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe caddy is in good antique condition overall. The Britannia metal body is structurally sound with no dents, splits at the seams, or damage to the feet or apron. The engraving and engine-turning are crisp and intact across all surfaces. The exterior shows age-appropriate oxidation and surface wear consistent with 180 years of use. The interior shows heavier tarnishing and patina, expected given the absence of a liner. The hinge is original and functions correctly. No liner is present.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51432822898966,"sku":"AMD-03147","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-2994.jpg?v=1781630646"},{"product_id":"victorian-oil-on-panel-alnwick-castle-attributed-to-john-barker-ca-1870","title":"*RESERVED FOR SUZETTE* Antique Victorian Oil on Panel, Alnwick Castle, Attributed to John Barker","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAttributed to John Barker (1811–1886), this oil on panel depicts Alnwick Castle, Northumberland, viewed from across the River Aln at golden hour, with a shepherd and grazing sheep in the foreground and a stone bridge spanning the river at left. The panel was purchased by a previous owner, J.W. Baxter, from Ward's in Berkley, England in 1991 for £1,000, and carries the original handwritten provenance label on the verso. Alnwick Castle has been the seat of the Percy family, Dukes of Northumberland, since 1309, and was one of the most painted topographical subjects in Victorian England.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | Attributed to John Barker (1811–1886), British\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Title | Alnwick Castle\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on panel\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Alnwick Castle, Northumberland, viewed across the River Aln at sunset, with shepherd, sheep, stone bridge, and village buildings\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Framed Size | 12.75 in W x 16.5 in H x 1.5 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Mid-to-late 19th century, circa 1850–1880\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Victorian topographical landscape\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Gilt wood frame with egg-and-dart inner ornament and brass title plate reading \"Alnwick Castle \/ J Barker\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Unsigned; title plate attribution on frame\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Provenance | Purchased by J.W. Baxter from Ward's, Berkley, England, 1991, £1,000; handwritten label present on verso\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe painting is in good antique condition with age-appropriate wear. The paint surface shows yellowing of the varnish layer across the whole composition, which mutes the original tonal contrast and warmth somewhat but does not obscure the image. This is a normal and reversible condition for an unrestored Victorian panel painting of this age. The paint layer itself appears stable with no visible flaking, active losses, or areas of concern visible in the photographs. The panel support is solid with no warping or structural issues apparent. Some craquelure is visible in the close-up verso photograph, consistent with age.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe gilt frame shows general wear including rubbing to the gilding along the outer edges and a slight gap at one corner joint. The gilding is otherwise present and intact. The brass title plate is firmly attached and legible. The backing paper has areas of damage and loss, consistent with age and handling.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51432914452758,"sku":"AMD-03148","price":895.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-2790.jpg?v=1781631949"},{"product_id":"french-school-oil-painting-aster-floral-still-life-circa-1870","title":"Antique French School Oil on Canvas Floral Still Life","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003ePainted in the French academic tradition of the \u003cem\u003ebouquet simple\u003c\/em\u003e, this small oil on canvas presents a gathered cluster of garden asters in blue-violet, dusty mauve, and deep purple against a graduated grey-green ground. The composition rises from a dark lower register into a lighter atmosphere above, a format used widely in French floral painting of the second half of the 19th century. The petals are rendered with individual directional strokes that follow the radial structure of each floret, and the inclusion of buds at varying stages of opening alongside fully open blooms reflects genuine botanical observation. This is trained, confident work by an unidentified artist working within the French academic still-life tradition.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artist | Unidentified Artist, French School\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Medium | Oil on canvas\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Bouquet of garden asters (Callistephus chinensis) in blue-violet, mauve, and deep purple\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artwork Size | 6.25 in W x 8.5 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Framed Size | 10.25 in W x 12 in H x 1.75 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | France\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1860 to 1890\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | French Academic, 19th Century floral still life\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Period French Rococo revival gilt gesso frame with acanthus scroll corners, egg-and-dart inner liner, and acorn and floral corner ornament; water gilding worn to red bole throughout; original or contemporary with the painting\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Signature | Unsigned\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe paint surface carries generalized surface grime and an aged varnish layer that reads uneven in the upper background, with some pooling or discoloration in the upper left quadrant. Craquelure is present across the surface, consistent with age and stable. Several fine surface scratches are visible in the upper background area. The paint layer itself appears intact with no visible flaking, active lifting, or paint loss, though a thorough in-hand examination under raking light is recommended before any conservation decision. The canvas is original and unlined, on its original hand-cut wooden stretcher with period square nails and iron tacks. The stretcher is structurally sound.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe frame is in honestly worn condition. Gilding loss is heavy throughout all four rails and at the corners, with the red bole exposed across large sections of the surface. The gesso ornament shows age cracks at multiple points, and one corner has an open crack running through the cartouche. The ornament is largely intact and the frame is structurally present. This is an unrestored frame sold as found.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51432963571990,"sku":"AMD-03149","price":495.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-2836.jpg?v=1781633263"},{"product_id":"antique-english-silverplate-wine-coaster-neoclassical","title":"Antique English Silverplate Wine Coaster","description":"\u003cdiv class=\"[content-visibility:auto] [contain-intrinsic-size:auto_400px] px-2 -mx-2 pb-8 -mb-8 print:[content-visibility:visible]\"\u003e\n\u003cdiv data-test-render-count=\"2\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv class=\"mb-1 mt-6 group\"\u003e\n\u003cdiv class=\"flex flex-col items-end gap-1\"\u003e\n\u003cdiv class=\"flex justify-start opacity-0 group-hover:opacity-100 group-focus-within:opacity-100 pointer-coarse:opacity-100 transition\" role=\"group\" aria-label=\"Message actions\"\u003e\n\u003cdiv class=\"text-text-300\"\u003e\n\u003cdiv class=\"text-text-300 flex items-stretch justify-between\"\u003e\u003cspan class=\"text-text-500 text-xs flex items-center mr-2\" id=\"base-ui-_r_1e8_\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-test-render-count=\"1\"\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv data-is-streaming=\"false\" class=\"group relative relative pb-3\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 standard-markdown\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA English silverplate on copper wine coaster, circa 1830 to 1870, with a pierced neoclassical gallery decorated with alternating portrait medallions, sunflower rosettes, husk garland swags, and vertical reeding, finished with rope-twist borders top and bottom, and fitted with a turned dark-stained wood base.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Wine coaster\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Silverplate on copper, turned dark-stained wood base\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1830 to 1870\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Regency neoclassical\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 2 in H x 5 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Decoration | Pierced gallery with alternating portrait medallions, sunflower rosettes, husk garland swags, and vertical reeded bars; rope-twist borders top and bottom\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Base | Turned dark-stained wood with central screw boss\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Marks | None\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe coaster is in good antique condition overall. The silverplate retains good coverage across the pierced gallery with expected tarnish and wear consistent with age, and areas of copper show-through visible at the relief details and along the rope-twist borders — normal for silverplate of this age and not distracting from the piece. The gallery structure is sound with no dents, splits, or losses to the pierced work. The turned wood base is solid and fits the gallery properly. The green baize on the underside is original but heavily worn with significant staining including a red stain and white spotting across much of the surface — the baize is largely intact but in poor cosmetic condition. The central screw boss on the wood base is present and intact.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51433012003094,"sku":"AMD-03150","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-2937.jpg?v=1781634848"},{"product_id":"strickland-queens-england-abridged-1890","title":"*RESERVED* Agnes Strickland Lives of the Queens of England 1890 Leather Book","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eAgnes Strickland's \u003cem\u003eLives of the Queens of England\u003c\/em\u003e began as a twelve-volume monument to the women history had largely written around. This 1890 abridged edition, published by George Bell and Sons, distills that work into a single volume covering the queens from the Norman Conquest through Elizabeth of York, the women who sat beside the Plantagenet and Lancaster and York kings. Strickland wrote at a time when treating queens as historical subjects in their own right was itself a kind of argument, and the books found a readership well beyond the scholarly world. The frontispiece steel engraving of Matilda of Flanders, crowned and sceptred, sets the tone for what follows. A handsome period binding in half-leather with a gilt-tooled olive spine, red title label, and marbled boards and edges.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Author | Agnes Strickland\u003cbr\u003e[d]Title | Lives of the Queens of England, from the Norman Conquest\u003cbr\u003e[d]Publisher | George Bell and Sons, London\u003cbr\u003e[d]Date | 1890\u003cbr\u003e[d]Edition | Abridged Edition\u003cbr\u003e[d]Binding | Half-leather with marbled boards, gilt-tooled spine, red leather title label\u003cbr\u003e[d]Frontispiece | Steel-engraved portrait of Matilda of Flanders\u003cbr\u003e[d]Dimensions | 7.25 in H x 5 in W x 1.5 in D\u003cbr\u003e[d]Language | English\u003cbr\u003e[d]Origin | United Kingdom\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003cbr\u003eThe binding shows honest age throughout. The spine leather retains its gilt tooling and the red title label is legible and intact, but the leather surface shows wear and light loss consistent with a well-used Victorian volume. The marbled boards and edges remain colorful and present. The boards themselves show surface scratching and scuffing across both front and back, visible but not structural. The title page and frontispiece pages carry moderate foxing, scattered brown spots across the page surfaces. The text block appears solid and the book opens and closes without issue. A good reading and display copy, well-worn but holding together.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51433076818198,"sku":"AMD-03152","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-3036.jpg?v=1781636371"},{"product_id":"gainsborough-fletcher-1904-prize-binding","title":"*RESERVED* Antique Thomas Gainsborough R.A. Fletcher 1904 Prize Leather Binding","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThomas Gainsborough, R.A. by A. E. Fletcher, 1904, bound to special order in full burgundy morocco for The Grammar School, Coleshill, and awarded as a prize to C. F. Williamson for Manual Work in July 1923, signed by the Head Master Somerset Bateman. The school was founded in 1520, its crest stamped in gilt on the front board, and that date and motto sit there still, sharp against the plum leather. Fletcher's biography moves through Gainsborough's life from his Suffolk origins through Ipswich, Bath, and London with eleven chapters and a full set of twenty photogravure plates, including \"The Blue Boy,\" \"The Painter's Daughters,\" and \"The Parish Clerk,\" plus a photogravure frontispiece after Gainsborough's self-portrait from the collection of C. Fairfax Murray. The Walter Scott Publishing Company produced this series in superior leather bindings to special order only, advertised separately from the standard cloth trade issue, which is what you have here.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Author | A. E. Fletcher\u003cbr\u003e[d]Title | Thomas Gainsborough, R.A.\u003cbr\u003e[d]Series | The Makers of British Art, edited by James A. Manson\u003cbr\u003e[d]Publisher | The Walter Scott Publishing Co., Ltd., London; Charles Scribner's Sons, New York\u003cbr\u003e[d]Date | 1904\u003cbr\u003e[d]Binding | Full burgundy morocco, gilt-tooled spine with raised bands, floral and foliate compartments, rope-twist gilt border to boards, school crest stamped in gilt to front board\u003cbr\u003e[d]Illustrations | Photogravure frontispiece after Gainsborough's self-portrait; twenty photogravure plates including The Blue Boy, The Painter's Daughters, The Parish Clerk\u003cbr\u003e[d]Provenance | Prize binding from The Grammar School, Coleshill (founded 1520), awarded to C. F. Williamson for Manual Work, July 1923, signed by Head Master Somerset Bateman\u003cbr\u003e[d]Dimensions | 7 in H x 5.5 in W x 1.5 in D\u003cbr\u003e[d]Language | English\u003cbr\u003e[d]Origin | United Kingdom\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003cbr\u003eThe binding is the story here and it is in genuinely good condition for over a century of age. The full burgundy morocco is clean and supple, the gilt tooling on the spine compartments remains legible and bright, and the rope-twist border to the boards is intact. The school crest on the front board is sharp. Marbled endpapers are present and sound. The prize bookplate is affixed cleanly to the front pastedown, the inscription and headmaster's signature clear and fully legible. The text block shows age-appropriate foxing throughout, light to moderate, consistent with an Edwardian book of this date. The spine is strong with no cracking at the hinges. A good, presentable copy of a prize binding with complete and traceable provenance.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51433119842582,"sku":"AMD-03153","price":275.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-3059.jpg?v=1781637231"},{"product_id":"kings-story-book-gomme-1897","title":"*RESERVED* The King's Story Book Gomme Christ's Hospital Prize Binding 1897","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe Christ's Hospital coat of arms gilt-stamped on the front board tells you immediately that this is not an ordinary copy. The Governors of Christ's Hospital, one of England's oldest and most distinguished schools, presented this copy to William Robert Mansfield at Christmas 1900 for general progress and diligence, and the copperplate inscription on the tipped-in presentation label is as formal and beautiful as the binding itself. Full red leather with a deeply gilt-tooled spine, marbled endpapers in crimson and black, marbled page edges, gold fillet borders on the boards: this is a prize binding produced specifically for the school's award copies, and it is in fine shape for its age.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe text inside is equally good company. The King's Story Book is an anthology of historical stories drawn from English Romantic literature, organised by monarch from the Conquest through William IV, edited by George Laurence Gomme, Fellow of the Society of Antiquaries and later Sir George. The contributor list reads like a Victorian literary census: Sir Walter Scott on Richard I and Henry II, William Shakespeare on Henry V and Henry VI, Lord Lytton on Edward IV, Mary W. Shelley on Richard III, Charles Dickens on the Regency, Charlotte Brontë and W.M. Thackeray on the Georges. Harrison Miller's 22 full-page illustrations include a striking photographic reproduction of the lost Armada tapestry that once hung in the House of Lords, destroyed by fire in 1834, which gives the book an unexpected documentary dimension alongside its literary pleasures.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Editor | George Laurence Gomme\u003cbr\u003e[d]Illustrator | Harrison Miller\u003cbr\u003e[d]Publisher | Archibald Constable and Co, Westminster\u003cbr\u003e[d]Date | 1897\u003cbr\u003e[d]Edition | Second Edition\u003cbr\u003e[d]Binding | Full red leather, deeply gilt-tooled spine, gilt armorial stamp to front board\u003cbr\u003e[d]Features | Marbled endpapers, marbled page edges, gold fillet borders, 22 full-page plates, tipped-in copperplate presentation label\u003cbr\u003e[d]Provenance | Presented by the Governors of Christ's Hospital, London, to William Robert Mansfield for General Progress and Diligence, Christmas 1900\u003cbr\u003e[d]Dimensions | 7.5 in H x 5.25 in W x 1.5 in D\u003cbr\u003e[d]Language | English\u003cbr\u003e[d]Origin | United Kingdom\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003cbr\u003eThe full red leather binding is sound and holding well, with rubbing to the spine extremities and corners consistent with 125 years of handling. The gilt spine tooling shows wear, with some decoration softened, but the title remains legible. The gilt Christ's Hospital armorial on the front board is clear and intact. The marbled endpapers are bright and undamaged. The copperplate presentation label is tipped in cleanly and lies flat. The text block is tight with no loose pages; the paper has toned to a warm cream with light age-browning at the page edges, as expected. The 22 illustration plates are all present and clean. No tears, no significant soiling, no missing elements. A very good copy in its original prize binding.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51433134260502,"sku":"AMD-03154","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-3061.jpg?v=1781637759"},{"product_id":"tom-hood-pen-pencil-pictures-first-edition-1857","title":"Antique Tom Hood Pen and Pencil Pictures First Edition 1857","description":"\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eTom Hood was \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"13\"\u003eonly 22 when he wrote this, and the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"49\"\u003ebinding it's wearing now is finer than \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"88\"\u003eanything his publisher put on it. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"126\"\u003egreen pebbled boards with their gilt \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"163\"\u003ecartouche medallion and the brown calf \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"202\"\u003espine with raised bands read as a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"236\"\u003econfident Victorian rebind, the kind of \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"276\"\u003etreatment a well-loved book received \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"313\"\u003efrom a private owner who wanted it to \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"351\"\u003esit well on a proper shelf. Combined \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"388\"\u003ewith the manuscript inscription dated \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"426\"\u003e1898, there's a small chain of custody \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"465\"\u003ehere: a book given as a gift, 41 years \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"504\"\u003eafter it was published, dressed up for \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"543\"\u003ethe occasion.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[d]Author | Tom Hood \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"21\"\u003e(Thomas Hood the Younger, 1835–1874)\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"21\"\u003e[d]\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"61\"\u003eTitle | Pen and Pencil Pictures\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"61\"\u003e[d]Publi\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"101\"\u003esher | Hurst and Blackett, London\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"101\"\u003e[d]Dat\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"141\"\u003ee | 1857\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"141\"\u003e[d]Edition | First edition\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"141\"\u003e[d]B\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"181\"\u003einding | Half calf and green pebbled \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"218\"\u003eleather; brown calf spine with five \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"254\"\u003eraised bands, gilt fillet ruling in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"290\"\u003ecompartments, title lettered in gilt; \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"328\"\u003egreen pebbled leather boards with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"362\"\u003edouble gilt fillet border and central \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"400\"\u003egilt cartouche medallion; gilt board \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"437\"\u003eedges; gilt page edges\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"437\"\u003e[d]Illustrations \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"477\"\u003e| Wood-engraved \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"493\"\u003eillustrations integrated throughout the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"533\"\u003etext\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"533\"\u003e[d]Dimensions | 7.75 in H x 5 \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"568\"\u003ein W x 1 in D\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"568\"\u003e[d]Inscripti\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"594\"\u003eon | Manuscript gift \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"615\"\u003einscription to front endpaper, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"646\"\u003edated May 31, 1898, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"666\"\u003epartially legible; from a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"692\"\u003emother to her child\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"692\"\u003e[d]Langu\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"720\"\u003eage | English\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"720\"\u003e[d]Orig\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"741\"\u003ein | United Kingdom\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003e[condition]\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"0\"\u003eThe binding is in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"30\"\u003egood condition with honest \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"57\"\u003ewear appropriate to its \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"81\"\u003eage. The spine shows rubbing and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"114\"\u003esome fading to the calf, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"139\"\u003ewith minor scuffing at the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"166\"\u003ehead and tail. The green \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"191\"\u003eleather boards retain good \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"218\"\u003ecolor overall, with light \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"244\"\u003esurface wear at the corners \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"272\"\u003eand edges. The gilt cartouche \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"302\"\u003emedallion and border fillets \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"331\"\u003eremain largely legible. Page \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"360\"\u003eedges are gilt and show light \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"390\"\u003etoning consistent with age. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"418\"\u003eThe text block is sound and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"446\"\u003ethe pages appear clean and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"473\"\u003ecream-toned with no significant \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"505\"\u003efoxing visible in the images. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"535\"\u003eThe manuscript inscription to \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"565\"\u003ethe front endpaper is in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"590\"\u003epencil or ink, partially \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"615\"\u003elegible, and presents no damage \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"647\"\u003eto the leaf itself. A sound, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"676\"\u003epresentable copy in a binding well \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\" data-newtext-seq=\"711\"\u003eabove the original cloth issue.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51433517875478,"sku":"AMD-03159","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_2026_drews_books-8130.jpg?v=1781645895"},{"product_id":"antique-bronze-hound-scissor-holder-with-original-scissors-ca-1900","title":"*RESERVED* Antique Bronze Hound Scissor Holder with Scissors, Ca. 1900","description":"\u003cdiv class=\"[content-visibility:auto] [contain-intrinsic-size:auto_400px] px-2 -mx-2 pb-8 -mb-8 print:[content-visibility:visible]\"\u003e\n\u003cdiv data-test-render-count=\"2\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv class=\"mb-1 mt-6 group\"\u003e\n\u003cdiv class=\"flex flex-col items-end gap-1\"\u003e\n\u003cdiv class=\"flex justify-start opacity-0 group-hover:opacity-100 group-focus-within:opacity-100 pointer-coarse:opacity-100 transition\" role=\"group\" aria-label=\"Message actions\"\u003e\n\u003cdiv class=\"text-text-300\"\u003e\n\u003cdiv class=\"text-text-300 flex items-stretch justify-between\"\u003e\u003cspan class=\"text-text-500 text-xs flex items-center mr-2\" id=\"base-ui-_r_1hv_\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv data-test-render-count=\"1\"\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv data-is-streaming=\"false\" class=\"group relative relative pb-3\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 standard-markdown\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA cast bronze figural scissor holder, the dog modeled as a heavy-jowled hound with open mouth sized to hold and present a pair of small embroidery scissors. The form is the conceit: the dog sits ready on your worktable, scissors always at hand. Pieces like this were produced by Austrian, English, and French workshops in the decades around 1900, made for the well-appointed sewing table or dressing room. No maker's mark, which is typical for the category. The scissors appear original to the piece based on consistent patina and fit.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Figural scissor holder\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Cast bronze, cold-painted\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Hound dog holding scissors\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | Continental European or English\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1880 to 1910\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Dog Size | 2 in H x 3.5 in W x 1.5 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Scissors | Iron or steel, 3 in length, appear original\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Marks | None\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe bronze retains its original cold-painted surface in dark brown with warm red-brown undertones showing through. Paint loss is significant and distributed across the body, consistent with age and handling rather than damage. The casting is sound with no cracks or repairs visible. The collar detail and facial modeling remain legible despite surface wear. The scissors show consistent oxidation with the dog and fit the mouth naturally. Overall honest antique condition, unrestored.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51433577808150,"sku":"AMD-03161","price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-3115.jpg?v=1781647380"},{"product_id":"french-gilt-brass-mounted-cut-glass-vase-circa-1890","title":"French Gilt Brass Mounted Cut Glass Vase","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA small French vase in the Louis XVI Revival manner, blown clear glass fitted with a gilt brass rim mount and three applied cast escutcheons, each depicting a rose suspended from a ribbon bow. The glass body is engraved with a band of star-cut motifs at the shoulder, a decorative vocabulary consistent with French luxury glassware of the late 19th century. The form is a narrow cylinder rising to a flared trumpet mouth, a shape that kept cut flowers upright and displayed them to advantage on a dressing table or writing desk.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Vase\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Blown clear glass with engraved star-cut decoration; gilt brass rim mount and applied cast escutcheons\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | France\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1880 to 1900\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Louis XVI Revival, Belle Époque\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 6.25 in H x 2.75 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Mounts | Gilt brass rim with three applied rose-and-ribbon escutcheons\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eGood antique condition overall. The glass body is intact with no chips, cracks, or repairs visible. The star-cut engraving at the shoulder is crisp and undamaged. The gilt brass rim mount is firmly seated and retains good color, with surface wear and areas of oxidation consistent with age, most visible along the inner edge of the rim in the close-up photos. The rim moves and is loose but is tight enough that it would not detach. The applied cast escutcheons are all present and intact, though one shows some loss of gilding detail. The base is clean with no chips. Light surface dirt throughout, consistent with age and storage.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51433578529046,"sku":"AMD-03162","price":155.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-3149.jpg?v=1781647557"},{"product_id":"antique-french-hunting-hound-oil-painting-circa-1880","title":"*RESERVED* Antique French Oil Painting, Three Hunting Hounds at Rest in a Woodland Landscape","description":"\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Signed | Lower right, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esignature reads \"N. BEPPAX,\" \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eartist unidentified\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Art\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eist | Unidentified \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eFrench painter, 19th century\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Medium | Oil on canvas\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Subject | Three \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eFrench hunting hounds in a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ewooded autumn landscape, two \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ealert and one at rest, all wearing \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eleather collars with leads\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Artwork \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eSize | 18.25 in W x 15 in H\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Framed \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eSize | 23.75 in W x \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e20.75 in H\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Origin | France\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Age | Circa 1870 \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eto 1890\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Style | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eFrench animalier, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esporting genre\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Frame | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eFrench gilt gesso, reeded \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esight edge with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eegg-and-dart outer molding \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eand applied \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eacanthus corner \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eornaments, period Second \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eEmpire to Third \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eRepublic; presented in a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eseparately sourced period \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eframe that is correct for the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecanvas in both style and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003edate\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Canvas Stamp | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eG. Hennequin, Couleurs \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eFines Toiles and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ePinceaux, 11 Avenue de \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eClichy, Paris; the same \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esupplier whose stamp \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eappears on works by Van \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eGogh dated 1887\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Str\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eetcher Mark | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eHand-stenciled \"8\" on the top \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003estretcher bar, consistent with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethe French toile \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esize 8 format, which \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecorresponds to approximately \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e46 x 38 cm and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ealigns precisely with the measured \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecanvas dimensions\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eThe \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecanvas is in good antique condition \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eoverall. The paint surface shows a fine \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecraquelure pattern consistent with oil \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eon linen canvas of this age, stable \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethroughout and without active lifting \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eor flaking visible in the photographs. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eThere is some general tonal darkening \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eof the varnish layer, particularly in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethe shadow areas of the landscape \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ebackground, which is entirely expected \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003efor a work of this period and would \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003erespond well to professional cleaning \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eif a future owner wishes to brighten \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethe palette. No visible losses, tears, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eor in-painting are apparent from the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ephotographs, though I would recommend \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eexamination in raking light before \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eruling out minor restoration.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eThe \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eframe is a French gilt gesso example \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ewith a reeded inner sight edge, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eegg-and-dart outer border, and applied \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eacanthus corner ornaments. The gilding \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eretains good overall coverage with \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ehonest age-appropriate wear. There is a \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003evisible crack at the lower right corner \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ejoint and scattered gesso losses at the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecorners, consistent with normal \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ehandling over time. The frame is not \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eoriginal to the canvas; it was sourced \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eseparately and fitted to the painting, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ebut it is period-appropriate and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eFrench, reading correctly with the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecanvas in both style and date.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eThe G. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eHennequin canvas stamp on the verso is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eclear and fully legible.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51435134714134,"sku":"AMD-03164","price":995.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-3504.jpg?v=1781665530"},{"product_id":"antique-georgian-silk-embroidery-floral-bouquet-named-maker-circa-1800","title":"*RESERVED* Antique Georgian Silk Embroidery Floral Bouquet, Named Maker","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eA Regency-period silk embroidery worked by a named English gentlewoman, with a handwritten family inscription on the verso identifying the maker as Mary Milford, born 1777, died 1831, married name partially legible, most likely Merriman. The subject is a floral nosegay of roses, tulips, anemones, and smaller blossoms tied with a ribbon bow, executed in long-and-short stitch silk thread on a silk satin ground. Pieces of this age with a documented maker inscription are genuinely uncommon at this level of the market. It is housed in an antique carved giltwood frame under thick period glass and has been conserved with a fine net overlay stitched across the surface to stabilize the original silk ground.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Silk embroidery, framed\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Technique | Long-and-short stitch silk thread on silk satin ground\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Subject | Floral nosegay, roses, tulips, anemones, and smaller blossoms tied with ribbon bow\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Maker | Mary Milford (possibly Mitford), married name partially legible, most likely Merriman; born 1777, died 1831\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1795 to 1825, late Georgian to Regency period\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Artwork size | 13.25 in W x 16 in H approximately\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Framed size | 17 in W x 19.75 in H\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Frame | Antique carved giltwood, leaf-and-dart outer molding, beaded sight edge, period glass\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Provenance | Handwritten family inscription on verso: \"Worked by my grandmother Mary Milford by marriage [Merriman?] born 1777 died 1831\"\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Conservation | Fine net overlay hand-stitched across surface to stabilize silk ground, applied at a later date\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe embroidery is in fair condition consistent with its age of approximately 200 years. The silk thread work itself survives well in the central floral grouping, with the rose, tulips, and ribbon bow retaining good color and readable stitch detail. The long-and-short shading in the tulip petals is particularly intact. The silk satin ground has deteriorated significantly, with foxing, discoloration, and tone loss across the background, and there are areas of ground failure in the lower left quadrant and lower center where the backing fabric is exposed beneath the conservation net. A fine silk or cotton net overlay has been hand-stitched across the entire surface in a grid of running stitches to stabilize the original fabric; this conservation layer is aged and visually present, and shows some lifting at the edges of loss areas. The piece is housed under thick antique glass which is intact. The giltwood frame shows gesso losses at the lower rail and lower corners where white gesso is exposed, and the gilding is evenly patinated overall. The frame joint at the upper left shows a minor separation. The verso label is original and partially torn, with the married surname and text following the death date lost to the tear.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51439913304342,"sku":"AMD-03166","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/JuneEnland2026-3570.jpg?v=1781714522"},{"product_id":"antique-english-silverplate-gallery-trsheffield-silverplate-oval-gallery-trayay-sheffield-circa-1900","title":"*RESERVED* Antique English Silverplate Gallery Tray with Feet, Sheffield","description":"\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eA \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eclassic English \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esilverplate gallery \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003etray from Sheffield, marked \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e\"Silver Plated \/ Made in \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eSheffield, Eng\" on the base. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eThe oval form sits \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eon four cast paw \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003efeet and is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eenclosed by a pierced \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003egallery of vertical \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eslots with beaded rope \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eborders top and bottom. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esurface floor is engraved with dense \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eacanthus and foliate scrollwork \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eframing a central cartouche \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethat was never monogrammed, which \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003emeans a new owner can \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ehave it personalized. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eSheffield was producing \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eelectroplated silverware of this type \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ein enormous volume \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003efrom the 1880s through the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eEdwardian period, supplying both \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethe domestic market and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eexport trade. This is a useful, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003egood-looking tray that works as well on \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ea bar or vanity today as it \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003edid in a Victorian \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esideboard a century ago.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Type\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e | Oval gallery tray\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]M\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eaterial | Electroplated \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esilverplate over base metal\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Mark\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e | \"Silver Plated \/ Made \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ein Sheffield, Eng\" stamped \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eon base\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Maker | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eUnidentified; Sheffield manufacture\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eOrigin | Sheffield, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eEngland\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Age | Circa 1890 to \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e1910\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Style | Victorian \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e\/ Edwardian\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Gallery \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e| Pierced vertical \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eslot-and-dot pattern with beaded \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003erope borders\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Feet | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eFour cast paw feet\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Surface \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e| Engraved acanthus and \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003efoliate scrollwork with blank \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecentral cartouche\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Size | \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e2.25 in H x 12.5 in W x 6 in D\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eThe tray is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ein good antique \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003econdition with age-appropriate \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003epatina throughout. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esilverplate surface is intact \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eacross the top and sides \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ewith light tarnish consistent \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ewith age and honest use. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eThe pierced gallery \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eretains its detail cleanly. \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eThe four paw feet are all \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003epresent and stable. There is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ewear-through to the copper base metal \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eon the underside of the \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003etray, visible when the tray \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eis turned over but not \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003evisible from above during \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003enormal use. A small amount of \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003egreen patina is present on \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethe gallery exterior, \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esurface oxidation rather \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethan structural damage. The \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eblank central cartouche is \u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eunengraved and could be monogrammed.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51440010690838,"sku":"AMD-03169","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-3454.jpg?v=1781717362"},{"product_id":"english-silverplate-gallery-tray","title":"Vintage English Silverplate Gallery Tray with Ball Feet, Engraved Scrollwork","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eVintage English Silverplate Gallery Tray, Engraved Scrollwork, Ca. 1960\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Oval gallery tray\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Maker | Cavalier, Made in England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Silver-plated base metal (electroplate)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1950s to 1970s, mid-20th century\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Rococo-revival engraving, Gothic arch pierced gallery\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 2 in H x 16.5 in W x 8 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Feet | Four bun feet\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Gallery | Continuous pierced Gothic arch border\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Engraving | All-over acanthus scroll and diaper ground pattern, machine-assisted with hand finishing\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe tray is in good vintage condition overall and presents well. The silverplate is intact across the engraved floor of the tray and retains good brightness. The pierced gallery and molded rails are crisp and undamaged with no bent or broken sections. All four bun feet are present and solid. The underside shows the characteristic warm gray tone of EPNS where the plating is thinner across the base field, with some tarnish and surface dirt consistent with age and storage. There are scattered dark tarnish spots visible on the floor of the tray, particularly toward the center, which should respond to polishing. No dents, no losses to the gallery, no repairs noted.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51440036872470,"sku":"AMD-03171","price":195.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-3392.jpg?v=1781718823"},{"product_id":"victorian-silverplate-tray-roberts-belk-sheffield","title":"Antique Round Victorian Silverplate Tray, Roberts \u0026 Belk Sheffield","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eVictorian Silverplate Tray by Roberts \u0026amp; Belk, Sheffield, Circa 1885, with engraved monogram cartouche and pierced gallery border on three ball feet. Made by one of Sheffield's well-regarded Victorian electroplate manufacturers, this round salver carries their R\u0026amp;B mark, bird device, and pattern number 3779 on the underside. The central field is engraved with a bright-cut armorial cartouche featuring a pointed shield, ribbon bow, trailing flower chains, and a script monogram reading \"CL,\" the kind of personalized engraving that was added to order at purchase. The pierced gallery running the full circumference is intact and crisp.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Type | Round salver (tray)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Maker | Roberts \u0026amp; Belk, Sheffield\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Mark | R\u0026amp;B rectangular cartouche, bird device, pattern number 3779\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Material | Electroplated nickel silver (EPNS)\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Origin | Sheffield, England\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Age | Circa 1880 to 1895, late Victorian\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Style | Late Victorian, Aesthetic Movement period\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Size | 1.25 in H x 12 in D\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Feet | Three ball feet\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Border | Pierced gallery with beaded outer wire rim\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[d]Engraving | Bright-cut armorial cartouche with script monogram \"CL,\" ribbon bow, and floral surround\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e[condition]\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003eThe tray is structurally sound with no dents, no damage to the gallery, and all three ball feet intact and stable. The engraving is sharp and undamaged throughout. The plating shows significant wear across the field, with the copper base metal showing through in several areas, most visibly toward the center and in patches across the surface. This is honest age wear consistent with a piece that was used and handled over many decades, and it does not affect the structural integrity or the decorative appeal of the piece. The gallery and outer rim retain good plating. The tray has not been re-plated. Surface tarnish is present and will respond to polishing, though the worn areas will remain as they are.\u003c\/p\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51440140157206,"sku":"AMD-03172","price":155.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-3390.jpg?v=1781719531"},{"product_id":"silverplate-gallery-tray-ehp-sheffield","title":"Antique Round English Silverplate Gallery Tray, Chased, Sheffield","description":"\u003cdiv class=\"[content-visibility:auto] [contain-intrinsic-size:auto_400px] px-2 -mx-2 pb-8 -mb-8 print:[content-visibility:visible]\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"mb-1 mt-6 group\"\u003e\n\u003cdiv class=\"flex flex-col items-end gap-1\"\u003e\n\u003cdiv class=\"flex justify-start opacity-0 group-hover:opacity-100 group-focus-within:opacity-100 pointer-coarse:opacity-100 transition\" role=\"group\"\u003e\n\u003cdiv class=\"text-text-300\"\u003e\n\u003cdiv class=\"text-text-300 flex items-stretch justify-between\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"group\"\u003e\n\u003cdiv class=\"contents\"\u003e\n\u003cdiv class=\"group relative relative pb-3\"\u003e\n\u003cdiv class=\"font-claude-response relative leading-[1.65rem] [\u0026amp;_pre\u0026gt;div]:bg-bg-000\/50 [\u0026amp;_pre\u0026gt;div]:border-0.5 [\u0026amp;_pre\u0026gt;div]:border-border-400 [\u0026amp;_.ignore-pre-bg\u0026gt;div]:bg-transparent [\u0026amp;_.standard-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.standard-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8 [\u0026amp;_.progressive-markdown_:is(p,blockquote,h1,h2,h3,h4,h5,h6)]:pl-2 [\u0026amp;_.progressive-markdown_:is(p,blockquote,ul,ol,h1,h2,h3,h4,h5,h6)]:pr-8\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"standard-markdown grid-cols-1 grid [\u0026amp;_\u0026gt;_*]:min-w-0 gap-3 progressive-markdown\"\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eEnglish Silverplate\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eGallery Tray by\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eEllis Henry\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eParkin, Sheffield,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eCirca 1910 to\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e1935. The gallery\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eis the detail\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethat earns a\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esecond look: vertical reeding\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003einterrupted by hand-chased swaged\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003egarlands in repousse, with a pierced\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eupper register that gives the whole rim\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ean open, architectural quality. The\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eflat field is chased overall\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ein a dense acanthus and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003escrolling foliate pattern, a\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003esurface treatment that Sheffield\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003emakers reserved for their\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ebetter-quality work and that the base\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003estamp confirms explicitly with the word\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e\"Chased.\" Made in Sheffield England by\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eEllis Henry Parkin, whose mark\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eappears in three cartouches on\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethe underside alongside a profile head\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003edevice.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Type | Gallery tray\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Make\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003er | Ellis Henry Parkin (EHP),\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eSheffield, England\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Material |\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eSilverplate over base metal\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Decorati\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eon | Overall chased\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eacanthus and scrolling foliate field;\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003erepousse garland and reeding\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003egallery with pierced upper\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eregister\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Marks | EHP in three\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecartouches, profile head device,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e\"Chased,\" \"Made in Sheffield\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eEngland\"\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Origin | Sheffield,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eEngland\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Age | Circa 1910 to 1935\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Style | Neoclassical revival\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[d]Size\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e\u003cspan\u003e \u003c\/span\u003e| 1.5 in H x 9.75 in d\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003e[condition]\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_chunkWrapper_6ta1u_30\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal\"\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eTh\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ee tray is in good used condition with\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ehonest wear consistent with age and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003edomestic use. The silver retains strong\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecoverage across the gallery and the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eouter sidewall, with the reeded and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003erepousse garland decoration crisp and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003efully intact. The flat chased field on\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethe upper surface shows light\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003escratching throughout and areas where\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethe silver is wearing through to the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ebase metal, visible as warm copper\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003etones, most concentrated toward the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ecenter. This wear is typical for a\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003epiece of this age and does not obscure\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ethe chased decoration. The underside\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003eshows scratching and general service\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ewear. The central foot pad is present\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003ebut partially worn. No dents, no bent\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003egallery sections, no losses to the\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan class=\"_animating_6ta1u_10\"\u003epierced work.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Austyn Marie Design","offers":[{"title":"Default Title","offer_id":51440318644502,"sku":"AMD-03173","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0896\/4623\/5926\/files\/June_Enland_2026-3360.jpg?v=1781720213"}],"url":"https:\/\/austyn-marie.myshopify.com\/collections\/english-country-house-sale.oembed","provider":"Austyn Marie Design","version":"1.0","type":"link"}